No teacher can fail to teach better if he has considered such questions somewhat systematically. But the more the teacher has reflected upon pupils' probable intellectual response to a topic from the various stand-points indicated by the five formal steps, the more he will be prepared to conduct the recitation in a flexible and free way, and yet not let the subject go to pieces and the pupils' attention drift in all directions; the less necessary will he find it, in order to preserve a semblance of intellectual order, to follow some one uniform scheme. He will be ready to take advantage of any sign of vital response that shows itself from any direction. One pupil may already have some inkling--probably erroneous--of a general principle. Application may then come at the very beginning in order to show that the principle will not work, and thereby induce search for new facts and a new generalization. Or the abrupt presentation of some fact or object may so stimulate the minds of pupils as to render quite superfluous any preliminary preparation. If pupils' minds are at work at all, it is quite impossible that they should wait until the teacher has conscientiously taken them through the steps of preparation, presentation, and comparison before they form at least a working hypothesis or generalization. Moreover, unless comparison of the familiar and the unfamiliar is introduced at the beginning, both preparation and presentation will be aimless and without logical motive, isolated, and in so far meaningless. The student's mind cannot be prepared at large, but only for something in particular, and presentation is usually the best way of evoking associations. The emphasis may fall now on the familiar concept that will help grasp the new, now on the new facts that frame the problem; but in either case it is comparison and contrast with the other term of the pair which gives either its force. In short, to transfer the logical steps from the points that the teacher needs to consider to uniform successive steps in the conduct of a recitation, is to impose the logical review of a mind that already understands the subject, upon the mind that is struggling to comprehend it, and thereby to obstruct the logic of the student's own mind. § 2. _The Factors in the Recitation_ Bearing in mind that the formal steps represent intertwined factors of a student's progress and not mileposts on a beaten highway, we may consider each by itself. In so doing, it will be convenient to follow the example of many of the Herbartians and reduce the steps to three: first, the apprehension of specific or particular facts; second, rational generalization; third, application and verification. [Sidenote: Preparation is getting the sense of a problem]