Hudibras, in Three Parts, Written in the Time of the Late WarsButler, Samuel
General
Hudibras, in Three Parts, Written in the Time of the Late Wars
Butler, Samuel
English poetry -- Early modern, 1500-1700
'Tis not those paultry counterfeit 55
French stones, which in our eyes you set,
But our right diamonds, that inspire
And set your am'rous hearts on fire.
Nor can those false St. Martin's beads,
Which on our lips you lay for reds, 60
And make us wear, like Indian dames,
Add fuel to your scorching flames;
But those true rubies of the rock,
Which in our cabinets we lock.
'Tis not those orient pearls our teeth, 65
That you are so transported with;
But those we wear about our necks,
Produce those amorous effects.
Nor is't those threads of gold, our hair,
The periwigs you make us wear, 70
But those bright guineas in our chests,
That light the wild fire in your breasts.
These love-tricks I've been vers'd in so,
That all their sly intrigues I know,
And can unriddle, by their tones, 75
Their mystick cabals and jargones;
Can tell what passions, by their sounds,
Pine for the beauties of my grounds;
What raptures fond and amorous
O' th' charms and graces of my house; 80
What extasy and scorching flame,
Burns for my money in my name;
What from th' unnatural desire
To beasts and cattle takes its fire;
What tender sigh, and trickling tear, 85
Longs for a thousand pounds a year;
And languishing transports are fond
Of statute, mortgage, bill, and bond.
These are th' attracts which most men fall
Inamour'd, at first sight, withal 90
To these th' address with serenades,
And court with balls and masquerades;
And yet, for all the yearning pain
Y' have suffer'd for their loves in vain,
I fear they'll prove so nice and coy 95
To have, and t' hold and to enjoy
That all your oaths and labour lost,
They'll ne'er turn ladies of the post.
This is not meant to disapprove
Your judgment in your choice of love; 100
Which is so wise, the greatest part
Of mankind study 't as an art;
For love shou'd, like a deodand,
Still fall to th' owner of the land;
And where there's substance for its ground, 105
Cannot but be more firm and sound
Than that which has the slightest basis
Of airy virtue, wit, and graces;
Which is of such thin subtlety,
It steals and creeps in at the eye, 110
And, as it can't endure to stay,
Steals out again as nice a way.
But love, that its extraction owns
From solid gold and precious stones
Must, like its shining parents, prove 115
As solid and as glorious love.
Hence 'tis you have no way t'express
Our charms and graces but by these:
For what are lips, and eyes, and teeth,
Which beauty invades and conquers with, 120
But rubies, pearls, and diamonds,
With which a philter-love commands?
Public-domain text, read in full here on John Shaqi.
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