LESSONS FROM PICTURES.--If we look at a series of pictures of ourselves, from the time of later childhood to the time of mature manhood, we discover with pleased surprise that the man bears more resemblance to the child than to the youth: that probably, therefore, in accordance with this fact, there has been in the interval a temporary alienation of the fundamental character, over which the collected, concentrated force of the man has again become master. With this observation this other is also in accordance, namely, that all strong influences of passions, teachers, and political events, which in our youthful years draw us hither and thither, seem later on to be referred back again to a fixed standard; of course they still continue to exist and operate within us, but our fundamental sentiments and opinions have now the upper hand, and use their influence perhaps as a source of strength, but are no longer merely regulative, as was perhaps the case in our twenties. Thus even the thoughts and sentiments of the man appear more in accordance with those of his childish years,--and this objective fact expresses itself in the above-mentioned subjective fact. 613. THE TONE OF VOICE OF DIFFERENT AGES.--The tone in which youths speak, praise, blame, and versify, displeases an older person because it is too loud, and yet at the same time dull and confused like a sound in a vault, which acquires such a loud ring owing to the emptiness; for most of the thought of youths does not gush forth out of the fulness of their own nature, but is the accord and the echo of what has been thought, said, praised or blamed around them. As their sentiments, however (their inclinations and aversions), resound much more forcibly than the reasons thereof, there is heard, whenever they divulge these sentiments, the dull, clanging tone which is a sign of the absence or scarcity of reasons. The tone of riper age is rigorous, abruptly concise, moderately loud, but, like everything distinctly articulated, is heard very far off. Old age, finally, often brings a certain mildness and consideration into the tone of the voice, and as it were, sweetens it; in many cases, to be sure it also sours it. 614.