Human, All-Too-Human: A Book for Free Spirits, Part 1: Complete Works, Volume SixNietzsche, Friedrich Wilhelm
PhilosophyPhilosophy
Human, All-Too-Human: A Book for Free Spirits, Part 1: Complete Works, Volume Six
Nietzsche, Friedrich Wilhelm
Human beings
INTERCOURSE WITH THE HIGHER SELF.--Every one has his good day, when
he finds his higher self; and true humanity demands that a person
shall be estimated according to this state and not according to his
work-days of constraint and bondage. A painter, for instance, should be
appraised and honoured according to the most exalted vision he could
see and represent. But men themselves commune very differently with
this their higher self, and are frequently their own playactors, in so
far as they repeatedly imitate what they are in those moments. Some
stand in awe and humility before their ideal, and would fain deny it;
they are afraid of their higher self because, when it speaks, it speaks
pretentiously. Besides, it has a ghost-like freedom of coming and
staying away just as it pleases; on that account it is often called a
gift of the gods, while in fact everything else is a gift of the gods
(of chance); this, however, is the man himself.
625.
LONELY PEOPLE.--Some people are so much accustomed to being alone
in self-communion that they do not at all compare themselves with
others, but spin out their soliloquising life in a quiet, happy mood,
conversing pleasantly, and even hilariously, with themselves. If,
however, they are brought to the point of comparing themselves with
others, they are inclined to a brooding under-estimation of their own
worth, so that they have first to be compelled by others _to form_ once
more a good and just opinion of themselves, and even from this acquired
opinion they will always want to subtract and abate something. We must
not, therefore, grudge certain persons their loneliness or foolishly
commiserate them on that account, as is so often done.
626.
WITHOUT MELODY.--There are persons to whom a constant repose in
themselves and the harmonious ordering of all their capacities is
so natural that every definite activity is repugnant to them. They
resemble music which consists of nothing but prolonged, harmonious
accords, without even the tendency to an organised and animated melody
showing itself. All external movement serves only to restore to the
boat its equilibrium on the sea of harmonious euphony. Modern men
usually become excessively impatient when they meet such natures, who
_will never be anything in_ the world, only it is not allowable to say
of them that they _are nothing._ But in certain moods the sight of them
raises the unusual question: "Why should there be melody at all? Why
should it not suffice us when life mirrors itself peacefully in a deep
lake?" The Middle Ages were richer in such natures than our times. How
seldom one now meets with any one who can live on so peacefully and
happily with himself even in the midst of the crowd, saying to himself,
like Goethe, "The best thing of all is the deep calm in which I live
and grow in opposition to the world, and gain what it cannot take away
from me with fire and sword."
627.
Public-domain text, read in full here on John Shaqi.
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