To exemplify the true theory of Bohemianism let me describe from memory
two rooms, one of them inhabited by an English lady, not at all Bohemian,
the other by a German of the coarser sex who was essentially and
thoroughly Bohemian. The lady's room was not a drawing-room, being a
reasonable sort of sitting-room without any exasperating inutilities, but
it was extremely, excessively comfortable. Half hidden amongst its
material comforts might be found a little rosewood bookcase containing a
number of pretty volumes in purple morocco that were seldom, if ever,
opened. My German Bohemian was a steady reader in six languages; and if
he had seen such a room as that he would probably have criticised it as
follows. He would have said, "It is rich in superfluities, but has not
what is necessary. The carpet is superfluous; plain boards are quite
comfortable enough. One or two cheap chairs and tables might replace this
costly furniture. That pretty rosewood bookcase holds the smallest number
of books at the greatest cost, and is therefore contrary to true economy;
give me, rather, a sufficiency of long deal shelves all innocent of paint.
What is the use of fine bindings and gilt edges? This little library is
miserably poor. It is all in one language, and does not represent even
English literature adequately; there are a few novels, books of poems, and
travels, but I find neither science nor philosophy. Such a room as that,
with all its comfort, would seem to me like a prison. My mind needs wider
pastures." I remember his own room, a place to make a rich Englishman
shudder. One climbed up to it by a stone corkscrew-stair, half-ruinous, in
an old mediæval house. It was a large room, with a bed in one corner, and
it was wholly destitute of anything resembling a carpet or a curtain. The
remaining furniture consisted of two or three rush-bottomed chairs, one
large cheap lounging-chair, and two large plain tables. There were plenty
of shelves (common deal, unpainted), and on them an immense litter of
books in different languages, most of them in paper covers, and bought
second-hand, but in readable editions. In the way of material luxury there
was a pot of tobacco; and if a friend dropped in for an evening a jug of
ale would make its appearance. My Bohemian was shabby in his dress, and
unfashionable; but he had seen more, read more, and passed more hours in
intelligent conversation than many who considered themselves his
superiors. The entire material side of life had been systematically
neglected, in his case, in order that the intellectual side might
flourish. It is hardly necessary to observe that any attempt at luxury or
visible comfort, any conformity to fashion, would have been incompatible,
on small means, with the intellectual existence that this German scholar
enjoyed.
Public-domain text, read in full here on John Shaqi.
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