And yet the intimation never wholly deserts us that there is in the unformed activities of childhood and youth the possibilities of a better life for the community as well as for individuals here and there. This dim sense is the ground of our abiding idealization of childhood. For with all its extravagancies and uncertainties, its effusions and reticences, it remains a standing proof of a life wherein growth is normal not an anomaly, activity a delight not a task, and where habit-forming is an expansion of power not its shrinkage. Habit and impulse may war with each other, but it is a combat between the habits of adults and the impulses of the young, and not, as with the adult, a civil warfare whereby personality is rent asunder. Our usual measure for the "goodness" of children is the amount of trouble they make for grownups, which means of course the amount they deviate from adult habits and expectations. Yet by way of expiation we envy children their love of new experiences, their intentness in extracting the last drop of significance from each situation, their vital seriousness in things that to us are outworn. We compensate for the harshness and monotony of our present insistence upon formed habits by imagining a future heaven in which we too shall respond freshly and generously to each incident of life. In consequence of our divided attitude, our ideals are self-contradictory. On the one hand, we dream of an attained perfection, an ultimate static goal, in which effort shall cease, and desire and execution be once and for all in complete equilibrium. We wish for a character which shall be steadfast, and we then conceive this desired faithfulness as something immutable, a character exactly the same yesterday, today and forever. But we also have a sneaking sympathy for the courage of an Emerson in declaring that consistency should be thrown to the winds when it stands between us and the opportunities of present life. We reach out to the opposite extreme of our ideal of fixity, and under the guise of a return to nature dream of a romantic freedom, in which _all_ life is plastic to impulse, a continual source of improvised spontaneities and novel inspirations. We rebel against all organization and all stability. If modern thought and sentiment is to escape from this division in its ideals, it must be through utilizing released impulse as an agent of steady reorganization of custom and institutions.