PERSONAL OR CLASS OPPOSITION TO CHANGE. Sincere fear of the possible evils of novelty in the disorganization which it promotes, habituation to established ways, or a sentimental and aesthetic allegiance to them--all these are factors that determine genuine opposition to change. But aversion to change may be generalized into a philosophical attitude by those who have special personal or class reasons for disliking specific changes. The hand-workers in the early nineteenth century stoned the machinists and machines which threw them out of employment. Every change does discommode some class or classes of persons, and part of the opposition to specific changes comes from those whom they would adversely affect. It is not surprising that liquor interests should be opposed to prohibition, that theatrical managers should have protested against a tax on the theater, or those with great incomes against an excess profits tax. Selfish opposition to specific changes is, indeed, frequently veiled in the disguise of plausible reasons for opposition to change in general. Those who fear the results to their own personal or class interests of some of the radical social legislation of our own day may disguise those more or less consciously realized motives under the form of impartial philosophical opposition to social change in general. They may find philosophical justification for maintaining unmodified an established order which redounds to their own advantage. UNCRITICAL DISPARAGEMENT. The other extreme is represented by the position that old things are bad because they are _old_, and new things good because they are _new_. This is illustrated in an extreme though trivial form by faddists of every kind. There are people who chiefly pride themselves on being up-to-the-minute, and exhibit an almost pathological fear of being behind the times. This thirst for the novel is seen on various levels, from those who wear the newest styles, and dine at the newest hotels, to those who make a point of reading only the newest books, hearing only the newest music, and discussing the latest theories. For such temperaments, and more or less to most people, there is an intrinsic glamour about the word "new." The physical qualities that are so often associated with newness are carried over into social and intellectual matters, where they do not so completely apply. The new is bright and unfrayed; it has not yet suffered senility and decay. The new is smart and striking; it catches the eye and the attention. Just as old things are dog-eared, worn, and tattered, so are old institutions, habits, and ideas. Just as we want the newest books and phonographs, the latest conveniences in housing and sanitation, so we want the latest modernities in political, social, and intellectual matters. Especially about new ideas, there is the freshness and infinite possibility of youth; every new idea is as yet an unbroken promise. It has not been subjected to the frustrations,