Besides understanding the present better in terms of its history, there is much in the heritage of the past, especially of its finished products, that the citizen of contemporary civilization will wish preserved for its own sake. The works of art, of music, and of literature which are handed down to us are "possessions forever." Whatever be the limitations of our social inheritance, as instruments for the solution of our difficulties, those finished products which constitute the "best that has been known and thought" in the world are beyond cavil. They may not solve our problems, but they immensely enrich and broaden our lives. They are enjoyed because they are intrinsically beautiful, but also because they widen men's sympathies and broaden the scope of contemporary purposes and ideals. The culture that this transmission of racial experience makes possible, can be made perfect by the critical spirit alone, and, indeed, may be said to be one with it. For who is the true critic but he who bears within himself the dreams and ideas and feelings of myriad generations, and to whom no form of thought is alien, no emotional impulse obscure. And who is the true man of culture, if not he in whom fine scholarship and fastidious rejection... develops that spirit of disinterested curiosity which is the real spirit, as it is the real fruit of the intellectual life, and thus attains to intellectual clarity; and having learned the best that is known and thought in the world, lives--it is not fanciful to say so--among the Immortals.[1] [Footnote 1: Oscar Wilde: _Intentions_, pp. 192-93.] The student of Greek life knows that the Greeks in their view of Nature and of morals, in their conception of the way life should be lived, in their discrimination of the beautiful, have still much to teach us. He knows, however much we may have outlived the hierarchy of obedience which constitutes mediaeval social and political life, we should do well to recover the humility in living, the craftsmanship in industry, and precision in thinking which constituted so conspicuous features of mediaeval civilization. He knows that progress is not altogether measured by flying machines and wireless telegraphy. He is aware that speed and quantity, the key values in an industrial civilization, are not the only values that ever have been, or ever should be cherished by mankind.