Humanism and America : $b Essays on the outlook of modern civilisation
Philosophy
Humanism and America : $b Essays on the outlook of modern civilisation
Humanism; Literature -- Philosophy; Philosophy, Modern; United States -- Civilization -- 20th century
In imagination we dramatise the Renaissance as a sweeping revolution.
Whether humanists or modernists, we look upon it as a beginning,
or a resumption, at all events as the turning-point from which we
are the continuators in a straight line. Historians of philosophy,
of letters, of politics, of science all concur. More impressively
still the men of the Renaissance themselves were quite conscious of
the change--Bessarion, Aldus, Erasmus, da Vinci, Galileo, Bruno, to
take names at random. The shift of curiosity from the divine to the
secular, and the responsive shift of discipline from scholasticism to
humanism opened out new vistas to the voyaging mind. It would be hard
to exaggerate the almost theatric reversals which the times witnessed
and welcomed.
Sweeping as it was, however, the revolution of the Renaissance was
less radical than that of the second half of the nineteenth century.
In contrast to the latter the changes wrought by the Renaissance were
on the level of explicit ideas. The essential stuff of thought was
unchanged. New ideas were astir, but the elements of which they were
built were the old elements. Theology gave way to humanism; God as
the centre gave way to man as the centre. But after all, God had been
conceived as a father and man as a child of God, and, God or man,
their psychology was the same. The very literature which had laid the
premisses of mediæval thought--the Bible--permeated the consciousness
of the humanistic period yet more deeply.
The shift of discipline from sacred to profane letters, as a
consequence, made no profound break in the consciousness itself.
The major impulses of the two periods blended easily and naturally.
The religious impulse of the Middle Ages lent itself triumphantly
to literary expression; there was the _Divine Comedy_. The literary
impulse of the Renaissance lent itself no less triumphantly to
religious themes; there was _Paradise Lost_. Natural science, indeed,
began its modern course under the impulse of the Renaissance. Still,
from the fifteenth to the nineteenth century, while the common
discipline of the West was humanistic, natural science did not
profoundly alter the minds of men. It was an incident, a special play
of curiosity and thought on the part of men whose minds were formed and
informed in the medium of humane letters. Even Doctor Johnson had his
chemical apparatus.
Public-domain text, read in full here on John Shaqi.
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