Browning’s art monologue is of two kinds--the monologue of the artist who is the chief character in the poem, and the monologue of the poet addressing the artist directly. Nor are these forms confined entirely to Italian art poems. _My Last Duchess_, _The Bishop orders his Tomb_, _Pictor Ignotus_, _Fra Lippo Lippi_, _Andrea del Sarto_, _Abt Vogler_, are all in dramatic monologue, with either an artist or one interested in art, as the speaker. _A Toccata of Galuppi’s_, _Master Hughes of Saxe-Gotha_, and _Old Pictures in Florence_, represent the poet addressing the artist. _Filippo Baldinucci_ is presented in the first person, in monologue form. In _The Guardian Angel_ the poet directly addressed the angel of the picture. _One Word More_ and _A Face_, in which the art element is strong, are written in the first person, the former addressed directly to Mrs. Browning with the poet speaking, and the second addressed to no particular person. This review establishes the fact that the monologue is Browning’s favorite form for poems about art, since the list just quoted includes all important poems of that kind. In every case he made some personality prominent, and in all serious poems on art, that personality is either speaking or spoken to, the very finest poems being of the former type. II. AMOUNT OF MATERIAL USED FROM EACH OF THE FINE ARTS.--In the foregoing discussion of the five branches of Italian art in Browning,--sculpture, music, poetry, architecture, and painting--the order has been determined largely by a quantitative standard. In the Appendix are systematic lists showing the number of poems and the exact references in connection with each art. No extensive comparison of the different arts regarding frequency of introduction, therefore, is needed here; but a few generalizations concerning some of the reasons for the variation in emphasis seem not amiss.