Steele, Richard, and John Dennis. The Theatre, by Sir Richard Steele; to which are added, the Anti-Theatre; the Character of Sir John Edgar; Steele’s Case with the Lord Chamberlain. Illustrated with Literary and Historical Anecdotes by John Nichols. London, 1791. Stone, E. Chronicles of Fashion. London, 1845. Stoye, M. Das Verhältniss von Cibbers Tragödie Caesar in Egypt zu Fletchers The False One. Halle, 1897. Strickland, Agnes. Queens of England. New York, 1851. Temple of Dullness, The, with the Humours of Signor Capochio and Signora Dorinna; A Comic Opera in Two Acts. London, 1745. Theatrical Correspondence in Death. An Epistle from Mrs. Oldfield, in the Shades, to Mrs. Br. ceg....dle, upon Earth. London, 1743. Theobald, L. The Happy Captive, an English Opera, with an Interlude, in Two Comick Scenes, betwixt Signor Capochio, a Director from the Canary Islands; and Signora Dorinna. London, 1741. Thorndike, Ashley H. Tragedy. Boston, 1908. To diabebouloumenon; or, The Proceedings at the Theatre Royal in Drury Lane. London, 1722. Tönse, L. Cibbers Comedy The Refusal in ihrem Verhältniss zu Molières les Femmes savantes. Kiel, 1900. Traill, H. D. Social England. New York, 1902. Vanbrugh, John. Works, ed. by W. C. Ward. London, 1893. Victor, B. History of the Theatres of London and Dublin from 1730 to the Present Time. London, 1761. Waterhouse, O. The Development of Sentimental Comedy in the Eighteenth Century, _Anglia_, XXX. Whincop, T. Scanderbeg; or, Love and Liberty. London, 1747. Wilkes, T. A General View of the Stage. London, 1759. Wilks, Robert, Esq., The Life of that Eminent Comedian. London, 1733. Woman of Taste. London, 1733 Wood, A. I. P. Stage History of Shakespeare’s Richard III. New York, 1909. FOOTNOTES: [1] II. 573. [2] Whincop, _Complete List of All the English Dramatic Poets_, p. 199. See also the dramatic list appended to the second volume of the fourth edition of the _Apology_, p. 286. [3] The sub-plot of _Woman’s Wit_ was likewise acted separately after the original play had failed on the stage. [4] Reprint of 1887, p. 28. [5] Page 28. [6] _Apology_, I, 180. [7] III, 325. [8] The _Advertisement_ prefixed to _The Happy Captive_ says: “The interlude, which is added in two comic scenes, is entirely new to our climate; and the success of it is submitted to experiment, and the taste of the audience.” Only this portion of _The Happy Captive_ was ever acted. [9] Theobald died September 18, 1744. _The Temple of Dullness_ was acted January 17, 1745. [10] For a history of the pastoral drama in the eighteenth century and a summary of its qualities, see Jeannette Marks, _The English Pastoral Drama_, London, 1908. [11] Thorndike, _Tragedy_, p. 273. [12] Davies, _Dramatic Miscellanies_, III, 459. [13] _The Tatler_, Number 42, July 16, 1709. [14] _Address to the Reader_, prefixed to _Ximena_.