Humoresque: A Laugh on Life with a Tear Behind ItHurst, Fannie
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Humoresque: A Laugh on Life with a Tear Behind It
Hurst, Fannie
Fiction; Short stories, American
There was in Mr. Lipkind precious little of Lothario, Launcelot,
Galahad, or any of that blankety-blank-verse coterie. There remains yet
unsung the lay of the five-foot-five, slightly bald, and ever so
slightly rotund lover. Falstaff and Romeo are the extremes of what Mr.
Lipkind was the not unhappy medium. Offhand in public places, men would
swap crop conditions and city politics with him. Twice, tired mothers in
railway stations had volunteered him their babies to dandle. Young
women, however, were not all impervious to him, and uncrossed their feet
and became consciously unconscious of him across street-car aisles. In
his very Two Dollar Hat Store, Sara Minniesinger, hooked of profile, but
who had impeccably kept his debits and credits for twelve years back
under the stock-balcony and a green eye-shade, was wont to cry of
evenings over and for him into her dingy pillow. He was so unconscious
of this that, on the twelfth anniversary of her incarceration beneath
the stock-balcony, he commissioned his mother to shop her a crown of
thorns in the form of a gold-handled umbrella with a bachelor-girl
flash-light attachment.
There are men like that, to whom life is not only a theosophy of one
God, but of one women who is sufficient thereof. When Samuel Lipkind
greeted Clara Bloom there was just that in his ardently
appraising glance.
"Didn't mean to keep you waiting, Clara--a last-minute customer. _You_
know."
"I've been counting red heads and wishing the Subway was pulled by white
horses."
"Say, Clara, but you look a picture! Believe me, Bettina, that is some
lid!"
Miss Bloom tucked up a rear strand of curl, turning her head to extreme
profile for his more complete approval.
"Is it an elegant trifle, Sam? I ask you is it an elegant trifle?"
"Clara, it's--immense! The best yet! What did it set you back?"
"Don't ask me! I'm afraid just saying it would give your mother
heart-failure by mental telepathy."
He linked her arm. "Whatever you paid, it's worth the money. It sets you
off like a gipsy queen."
"None of that, Sam! Mush is fattening."
"Mush nothing! It's the truth."
"Hurry. Schulem's got a new rule--no reserving the guest-table."
They let themselves be swept into the great surge of the underground
river with all of the rather thick-skinned unsensitiveness to
shoulder-to-shoulder contact which the Subway engenders. Swaying from
straps in a locked train, which tore like a shriek through a tube whose
sides sweated dampness, they talked in voices trained to compete
with the roar.
"What's the idea, Clara? When you telephoned yesterday I was afraid
maybe it was--Eddie Leonard cutting in on my night again."
"Eddie nothing. Is it a law, Sam, that I have to eat off your mother
every Wednesday night of my life?"
"No--only--you know how it is when you get used to things one way."
"I told you I had something to talk over, didn't I?"
They were rounding a curve now, so that they swayed face to face, nose
to nose.
Public-domain text, read in full here on John Shaqi.
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