Humoresque: A Laugh on Life with a Tear Behind ItHurst, Fannie
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Humoresque: A Laugh on Life with a Tear Behind It
Hurst, Fannie
Fiction; Short stories, American
As if the moments themselves had been woven by her flying amber needles
into a whole cloth of meditation, Mrs. Lipkind, beside a kitchen lamp
that flowed in gracious light, knitted the long, quiet hours of her
evening into fabric, her face screwed and out of repose and occasionally
the lips moving. Age is prone to that. Memories love to be mumbled and
chewed over--the unconscious kind of articulation which comes with the
years and for which youth has a wink and a quirk.
A tiger cat with overfed sides and a stare that seemed to doze purred on
the window-ledge, gold and unswerving of eye. The silence was like the
singing inside of a shell, and into it rocked Mrs. Lipkind.
By nine o'clock she was already glancing up at the clock, cocking her
head to each and every of night's creaks.
By half after nine there were small and frequent periods of peering
through cupped hands down into a street so remote that its traffic had
neither shape nor identity. Once she went down a long slit of hallway to
the front door, opening it and gazing out upon a fog-filled corridor
that was papered in embossed leatherette, one speckled incandescent bulb
lighting it sadly. There was something impregnable, even terrible to her
in the featureless stare of the doors of three adjoining apartments. She
tiptoed, almost ran, poor dear! with the consciousness of some one at
her heels, back to the kitchen, where at least was the warm print of the
cat's presence; fell to knitting again, clacking her needles for the
solace of explainable sound.
Identically with the round moment of ten Mr. Lipkind entered, almost
running down the hallway.
"Hello, ma! Think I got lost? Just got to talking and didn't realize.
Haven't been worried, ma? Afraid?"
She lifted her head from his kiss. "'Afraid!' What you take me for? For
why should I be worried at only ten o'clock? Say, I'm glad if you stay
out for recreation."
He kissed her again, shaking out of his coat and unwinding his muffler.
"I could just see you walking the floor and looking out of the window."
"Sa-y, I been so busy all evening I didn't have time to think. I'm not
such a worrier no more like I used to be. Like the saying is--life is
too short."
He drew up beside her, lifting her needles off her work. "Little
sweetheart mamma, why don't you sit on the big sofa in the front room
where it's more comfortable?"
"You can't make, Sammy, out of a pig's ear a silk stocking."
He would detain her hands, his eyes puckered and, so intent upon her.
"You had a good time, Sammy?"
"You'd be surprised, ma, what a nice place Clara boards at."
"What did they have to eat? Good cooking?"
"Not for a fellow that's used to my boarding-house."'
"What?"
"I couldn't tell if it was soup or finger-bowls they served for the
first course."
"I know--stylish broth. Let me warm you up a little of my thick barley
soup that's left over from--"
Public-domain text, read in full here on John Shaqi.
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