Humoresque: A Laugh on Life with a Tear Behind ItHurst, Fannie
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Humoresque: A Laugh on Life with a Tear Behind It
Hurst, Fannie
Fiction; Short stories, American
Isolated thus by the flesh, the spirit, too, had been caught in
nature's sebaceous trick upon Miss Hoag. Life had passed her by slimly.
But Miss Hoag's redundancy was not all literal. A sixth and saving sense
of humor lay like a coating of tallow protecting the surface of her. For
nature's vagary, she was pensioned on life's pay-roll at eighteen
dollars a week.
"Easy money, friends," Miss Hoag would _ad lib_. to the line-up outside
her railing; "how would some of you like to sit back and draw your wages
just for the color of your hair or the size of your shoes? You there,
that sailor boy down there, how'd you like to have a fox-trot with
Teenie? Something to tell the Jackies about. Come on, Jack Tar, I'm
light on my feet, but I won't guarantee what I'll be on yours. Step up
and have a round."
Usually the crowd would turn sheepish and dissolve at this Terpischorean
threat. In fact, it was Miss Hoag's method of accomplishing just that.
In the August high noon of the Coney Island Freak Palace, which is the
time and scene of my daring to introduce to you the only
under-thirty-years, and over-one-hundred-and-thirty-pounds, heroine in
the history of fiction, the megaphone's catch of the day's first dribble
of humanity and inhumanity had not yet begun its staring,
gaping invasion.
A curtain of heat that was almost tangible hung from the glass roof. The
Ossified Man, sworn by clause of contact impervious alike to heat and
cold, urged his reclining wheel-chair an imperceptible inch toward the
neighboring sway of Miss Hoag's palm-leaf. She widened its arc, subtly.
"Ain't it a fright?" she said.
"Sacred Mother of the Sacred Child!" said the Ossified Man, in a
_patois_ of very south Italy.
Then Miss Hoag turned to the right, a rail partitioning her from the
highly popular spectacle of the Baron de Ross, christened, married, and
to be buried by his nomenclature in disuse, Edwin Ross MacGregor.
"Hot, honey?"
The Baron, in a toy rocker that easily contained him, turned upon Miss
Hoag a face so anachronistic that the senses reeled back. An old face,
as if carved out of a paleolithic cherry-stone; the years furrowed in;
the eyes as if they had seen, without marveling, the light of creation;
even the hands, braceleted in what might have been portiere-rings,
leanly prehensile. When the Baron spoke, his voice was not unlike the
middle C of an old harpsichord whose wires long since had rusted and
died. He was frock-coated like a clergyman or a park statue of
a patriot.
Of face, a Chaldean sire; of dress, a miniature apotheosis of the
tailor's art; of form, a paleolithic child.
"Blow me to a ice-cream cone? Gowann, Teenie, have a heart!"
Miss Hoag billowed into silent laughter. "Little devil! That's six
you've sponged off me this week, you little whipper-snapper!"
The Baron screwed up into the tightest of grimaces.
"Nice Teenie--nice old Teenie!"
Public-domain text, read in full here on John Shaqi.
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