They turned in and up and through a foggy length of long hallway. Spring had not entered here. At the top of a second flight of stairs a slavey sat back on her heels and twisted a dribble of gray water from her cloth into her bucket. At the last and third landing an empty coal-scuttle stood just outside a door as if nosing for entrance. "Watch out, Dee Dee, the scuttle. Lemme go in first. Gee! it's cold indoors and warm out, ain't it? Wait till I light up. There!" "Lemme alone. I can see." An immemorial federation of landladies has combined against Hestia to preserve the musty traditions of the furnished room. Love in a cottage is fostered by subdivision promoters and practised by commuters on a five-hundred-dollars-down, monthly-payment basis. Marble halls have been celebrated in song, but the furnished room we have with us always at three cents per agate line. You with your feet on your library fender, stupefied with contentment and your soles scorching, your heart is not black; it is only fat. How can it know the lean formality of the furnished room? Your little stenographer, who must wear a smile and fluted collars on eight dollars a week, knows it; the book agent at your door, who earns eighteen cents on each Life of Lincoln, knows it. Chambermaids know it when they knock thrice and only the faint and nauseous fumes of escaping gas answer them through the plugged keyhole. Coroners know it. Sadie Barnet and Edith Worte knew it, too, and put out a hand here and there to allay it. A comforting spread of gay chintz covered the sag in their white iron bed; a photograph or two stuck upright between the dresser mirror and its frame, and tacked full flare against the wall was a Japanese fan, autographed many times over with the gay personnel of the Titanic Store's annual picnic. "Gee! Dee Dee, six-twenty already! I got to hurry. Unhook me while I sew in this ruching." "Going for supper?" "Yeh. He invited me. This is cottage-pudding night; tell old lady Finch when I ain't home for supper you got two desserts coming to you." "I don't want no supper." "Aw, now, Dee Dee!" Miss Worte dropped her dark cape from her shoulders, hung it with her hat on a door peg, and sat heavily on the edge of the bed. "God! my feet!" "Soak 'em." Miss Barnet peeled off her shirt-waist. Her bosom, strong and _flat_ as a boy's, rose white from her cheaply dainty under-bodice; at her shoulders the flesh began to deepen, and her arms were round and full of curves. "Here, Dee Dee, I'm so nervous when I hurry. You sew in this ruche; you got time before the supper-bell. See, right along the edge like that." Miss Worte aimed for the eye of the needle, moistening the end of the thread with her tongue and her fluttering fingers close to her eyes. "God! I--I just 'ain't got the eyes no more. I can't see, Sadie; I can't find the needle."