Humoresque: A Laugh on Life with a Tear Behind ItHurst, Fannie
General
Humoresque: A Laugh on Life with a Tear Behind It
Hurst, Fannie
Fiction; Short stories, American
At a very low tide in the affairs of the Novelty Rainy Day
Skirt Company, Canal Street, that year of our Lord, 1898, when
letter-head stationery was about to be rewritten and the
I-haven't-seen-you-since-last-century jocosity was about to be born,
Rudolph Pelz closed his workaday by ushering out Mr. Emil Hahn, locking
his front door after his full force of two women machine-stitchers, and
opening a rear door upon his young manhood's estate. A modest-enough
holding in the eyes of you or me as beholders; but for the past week not
an evening upon opening that door but what tears rushed to his throat,
which he laughed through, for shame of them.
On a bed, obviously dragged from its shadowy corner to a place beside
the single window, and propped up so that her hair, so slickly banding
her head in two plaits, sprang out against the coarsely white pillows,
Mrs. Rosa Sopinsky Pelz, on an evening when the air rose sultry, stale,
and even garbage-laden from a cat-and-can-infested courtyard, flashed
her quick smile toward that opening door, her week-old infant suckling
at her breast.
"You ought to seen, Roody; she laughed! Puckered herself up into the
cutest little grin when mamma left just now."
Mr. Pelz wound his way through an overcrowded huddle of furniture that
was gloomily, uglily utilitarian. A sideboard spread in pressed glass; a
chest of drawers piled high with rough-dry family wash; a coal-range,
and the smell and sound of simmering. A garland of garlic, caught up
like smilax, and another of drying red peppers. On a shelf above the
sink, cluttered there with all the pitiful unprivacy of poverty, a
layout, to recite which will label me with the nigritude of the realist,
but which is actually the nigritude of reality--a dish of
brown-and-white blobs of soap; a coffee-cup with a great jag in its lip;
a bottle of dried beans; a rubber nipple floating in a saucer of water;
a glass tumbler containing one inverted tooth-brush; a medicine-bottle
glued down in a dark-brown pool of its own substance; a propped-up bit
of mirror, jagged of edge; a piece of comb; a rhinestone breastpin; a
bunion-plaster; a fork; spoon; a sprouting onion. Yet all of this
somehow lit by a fall of very coarse, very white, and very freshly
starched lace curtains portiere-fashion from the door, looped back in
great curves from the single window, and even skirting stiffly and
cleanly the bureau-front and bed-edge.
"How is my little mammela?" said Mr. Pelz, leaning over the bed to kiss
Mrs. Pelz on the shining plaits, the light-tan column of throat and the
little fist pressed so deeply into her bosom.
"Just ought to seen, Roody--honest, she laughed and nearly jerked off
mamma's _sheidel!_" [Footnote: Black wig worn by orthodox Jewish
women after marriage.]
"Red head!" he said, stroking down at the warm "bulge of blanket, so
snugly enclosed in the crotch of mothering arm.
"It's redder than yours already, Roody."
Public-domain text, read in full here on John Shaqi.
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