Humours of '37, Grave, Gay and Grim: Rebellion Times in the CanadasLizars, Robina
History
Humours of '37, Grave, Gay and Grim: Rebellion Times in the Canadas
Lizars, Robina
Canada -- History -- Rebellion, 1837-1838
Like that pattern of all good housewives described by the prudent
mother of King Lemuel, it could be said of the immigrant’s wife,
“She layeth her hand to the spindle and her hands hold the distaff;
she seeketh wool and flax, and worketh willingly with her hands; she
looketh well to the ways of her household, and eateth not the bread of
idleness.” And when Madame de Léry was presented at the Court of George
III. her beauty forced the monarch to say, “If such are all my new
Canadian subjects I have indeed made a conquest.”
The women of ’37 combined all these virtues with a few heroic ones.
From the dark days of civil dissensions, when Canadians, like their
sisters of Deborah’s time, saw their husbands obliged to travel by the
by-paths because the high roads seemed to each to be occupied by his
foes,
“A company of ghosts steal out
And join their voiceless sobs and cries.”
And there is laughter, too; for when she forgot for a moment to
cry--her tears dropping into her teacup--Deborah did not disdain to
see the humorous side of affairs. If the survivor be the fittest, then
Place aux dames of the Tory stripe.
“Nay, we would in the title glory,
For every honest man’s a Tory,”
is the burden of their song. It is a song which loses half its thrill
without the pointed reply, the little electric sparkles which run
through it. Those who have furnished the bulk of the following pages
shall tell their own stories:
“I am just that kind of Tory that the only time I went to the United
States I put Canadian earth in my shoes, so that I might not walk on
Yankee soil.
“I do indeed remember ’37 and Mackenzie, and how angry we all were
that he escaped in a woman’s clothes. ‘He need not have cheated the
authorities by putting on _our_ clothing,’ we said; it was hard to
forgive him that.
Public-domain text, read in full here on John Shaqi.
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