The tinklers of the Garplefoot took themselves off, and where they may
now be pursuing their devious courses is unknown to the chronicler.
Dobson, too, disappeared, for he was not among the dead from the boats.
He knew the neighbourhood and probably made his way to some port from
which he took passage to one or other of those foreign lands which had
formerly been honoured by his patronage. Nor did all the Russians
perish. Three were found skulking next morning in the woods, starving
and ignorant of any tongue but their own, and five more came ashore much
battered but alive. Alexis took charge of the eight survivors, and
arranged to pay their passage to one of the British Dominions and to
give them a start in a new life. They were broken creatures, with the
dazed look of lost animals, and four of them had been peasants on
Saskia's estates. Alexis spoke to them in their own language. "In my
grandfather's time," he said, "you were serfs. Then there came a change,
and for some time you were free men. Now you have slipped back into
being slaves again--the worst of slaveries, for you have been the serfs
of fools and scoundrels and the black passion of your own hearts. I give
you a chance of becoming free men once more. You have the task before
you of working out your own salvation. Go, and God be with you."
* * * * *
Before we take leave of these companions of a single week I would
present them to you again as they appeared on a certain sunny afternoon
when the episode of Huntingtower was on the eve of closing. First we see
Saskia and Alexis walking on the thymy sward of the cliff-top, looking
out to the fretted blue of the sea. It is a fitting place for lovers,
above all for lovers who have turned the page on a dark preface, and
have before them still the long bright volume of life. The girl has her
arm linked with the man's, but as they walk she breaks often away from
him, to dart into copses, to gather flowers, or to peer over the brink
where the gulls wheel and oyster-catchers pipe among the shingle. She is
no more the tragic muse of the past week, but a laughing child again,
full of snatches of song, her eyes bright with expectation. They talk of
the new world which lies before them, and her voice is happy. Then her
brows contract, and, as she flings herself down on a patch of young
heather, her air is thoughtful.
"I have been back among fairy tales," she says. "I do not quite
understand, Alesha. Those gallant little boys! They are youth, and youth
is always full of strangeness. Mr. Heritage! He is youth, too, and
poetry, perhaps, and a soldier's tradition. I think I know him.... But
what about Dickson? He is the _petit bourgeois_, the _epicier_, the
class which the world ridicules. He is unbelievable. The others with
good fortune I might find elsewhere--in Russia perhaps. But not
Dickson."
Public-domain text, read in full here on John Shaqi.
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