Hurrell Froude: Memoranda and CommentsGuiney, Louise Imogen
History
Hurrell Froude: Memoranda and Comments
Guiney, Louise Imogen
Froude, Richard Hurrell, 1803-1836
He is the vision of a pilgrim entering from the Middle Ages, barely
laying down his staff and wallet before turning roadwards again, yet
managing to blurt out, irrespective of the tavern conversation,
fragments of his own correlated thought, immemorial things which he,
at least, seems never to have forgotten. He is no opportunist, and
chooses neither the audience nor the hour. ‘What to assume and what to
prove,’ as he says, do not sort themselves in his mind. He is only
oracular. He instructs Newman, in relation to no particular topic
whatever, but on a mere salutary general principle: ‘Do keep writing
to Keble, and stirring his rage. He is my fire, but I may be his
poker.’ His influence over Keble’s fearless intelligence, felt from
the first, was ultimately very great. His influence over Newman will
hardly bear analysis, for Newman and he were one: the gnomon and the
disk of a dial, or the arrow and the bow of some busy archer. We have
all seen just such influence as Froude, invalided, had upon the
Movement, privately exercised by Ministers of State, or by wives with
a ripe understanding of their husbands’ practical concerns. It is the
uncatalogued and intangible power, almost a plaything to its
possessor, least known among the powers which move human society; and,
therefore, perhaps it is the grimmest reality of all.
On September 9, Newman burst forth with the famous first sentence of
his famous first Tract: ‘I am but one of yourselves, a Presbyter.’
Hurrell wrote no comment on the move; he was intimately aware of it
from the beginning, and the earliest and hungriest reader. By the
16th, he is deep in study; there is a new historical theory to start,
opening with an ironic reference to Mr. Keble’s ‘friends’:
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account