Hurrell Froude: Memoranda and CommentsGuiney, Louise Imogen
History
Hurrell Froude: Memoranda and Comments
Guiney, Louise Imogen
Froude, Richard Hurrell, 1803-1836
‘――half-live a hundred different lives.’
He paid for such concentration of purpose with long oblivion.
Biography, a purblind creature, took him at his own valuation, as we
have seen, and gathered him not to her bosom. The history of all the
other Tractarians was written, the history of the men who lived very
long, long enough to see as Cardinal Manning once said, the polarity
of England changed, when the one among them who died young was given
his chance. Until Dean Church, abetted by Lord Blachford, made his
worth plain, in the beautiful subduing art of a book where all is
charity and serene wisdom, Froude had inhabited shadow-land, and was
less than the phantom of his brother’s brother. Eventually no mystic,
but a wide-awake, matter-of-fact person, he yet had always a sort of
seal upon him of the objective, the remote, the unearthly. Now that he
has his station and we have our perspective, these qualities increase
rather than diminish. The enfranchised vision of him now is his inner
self, more like a harper than a trumpeter. We seem to see the thin
tender face ‘shine’ out of night air, as it shone at parting on his
friend at Dartington, fifty-four years before it smiled again at him
out of the Light. Time is the only crystal which gives us the souls of
men and things. Whatever looks like idealisation there must be the
literal truth.
Hurrell Froude’s poet-friend Williams calls him
‘Like to himself alone, and no one else.’
But he is unique without being isolated. His habitual mood was a
country of far distances, not unlike his own Devon, where the rote is
audible from a stern coast, and the desolate tors stand up abrupt and
sharp against the white February horizon: a country which gets, in due
season, its own merriment of interlying verdure, and builds a most
delicate overhanging opal sky. There is in him, though unexpressed, a
wholeness and relativity as of this landscape. His saliency and
roguery, his affection, his wistful oddity, his extraordinary
intensity of life, the endearing charm which has served to keep his
memory bright as racing sea-fire, only remind us the more how fully he
belongs to the issues to which he gave himself of old. The temptation
to think him a good deal like the sworded poets of the Civil Wars,
with their scarcely exerted aptitudes for the fine arts, whose names
leave a sort of star-dust along the pages of the anthologies, need not
blind us to his severer aspect: he is also a good deal like the more
militant among the Saints. His first Editors thought so, and say so in
that most fragrant and touching Preface of theirs to his volumes
printed in 1839. He was wing and talon to them and to their holy hope.
‘Froude of the Movement’: he is that, first and last. Great as is to
the mere humanist eye his individual interest, he cannot fairly be
separated for a moment from the ideal to which all that was in him
belonged; to which he belongs in its present and its yet unrevealed
Public-domain text, read in full here on John Shaqi.
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