Hurrell Froude: Memoranda and CommentsGuiney, Louise Imogen
History
Hurrell Froude: Memoranda and Comments
Guiney, Louise Imogen
Froude, Richard Hurrell, 1803-1836
defend it;――threw him into an habitual attitude of defiance, and
half-amused, half-earnest contradiction, which made him feared by
loose reasoners and pretentious talkers, and even by quiet easy-going
friends, who unexpectedly found themselves led on blindfold, with the
utmost gravity, into traps and absurdities, by the wiles of his
mischievous dialectic. This was the outside look of his relentless
earnestness. People who did not like him or his views, and who,
perhaps, had winced under his irony, naturally put down his strong
language, which on occasion could certainly be unceremonious, to
flippancy and arrogance. But within the circle of those whom he
trusted, or of those who needed at any time his help, another side
disclosed itself: a side of the most genuine warmth of affection; an
awful reality of devoutness, which it was his great and habitual
effort to keep hidden; a high simplicity of unworldliness and
generosity; and, in spite of his daring mockeries of what was
commonplace or showy, the most sincere and deeply felt humility with
himself. Dangerous as he was often thought to be in conversation, one
of the features of his character which has impressed itself on the
memory of one who knew him well, was his “patient, winning
considerateness in discussion, which, with other qualities, endeared
him to those to whom he opened his heart.”[302] “It is impossible,”
writes James Mozley in 1833, with a mixture of amusement, speaking of
the views about celibacy which were beginning to be current, “to talk
with Froude without committing one’s self on such subjects as these;
so that by and by I expect the tergiversants will be a considerable
party.” His letters, with their affectionately playful addresses,
δαιμόνιε, αἰνότατε, πέπον, _Carissime_, “_Sir, my dear friend_,” or
“Ἀργείων ὄχ’ ἄριστε, have you not been a spoon?” are full of the most
delightful ease and verve and sympathy.
Public-domain text, read in full here on John Shaqi.
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