Hurrell Froude: Memoranda and CommentsGuiney, Louise Imogen
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Hurrell Froude: Memoranda and Comments
Guiney, Louise Imogen
Froude, Richard Hurrell, 1803-1836
contagion caught from Hurrell Froude.
‘There are a few singularly beautiful lines, added by Newman after
Hurrell Froude’s death, to the exquisite poem called “Separation of
Friends,” written in 1833; and these sufficiently prove the tenderness
of Newman’s friendship for Hurrell Froude, and the intimacy of the
relation between them. The poem, as it was first written, on the
separation of friends caused by death, ran thus:
‘“Do not their souls, who neath the altar wait
Until their second birth,
The gift of patience need, as separate
From their first friends of earth?
Not that earth’s blessings are not all outshone
By Eden’s angel flame,
But that earth knows not that the dead has won
That crown which was his aim.
For when he left it, ’twas a twilight scene
About his silent bier,
A breathless struggle Faith and Sight between,
And Hope and sacred Fear.
Fear startled at his pains and dreary end,
Hope raised her chalice high;
And the twin-sisters still his shade attend,
Viewed in the mourner’s eye.
So, day by day, for him, from earth ascends
As dew in summer even,
The speechless intercession of his friends,
Towards the azure heaven.”
‘This was an abrupt close. Nearly three years later, it appeared that
the true close had but been reserved till the friend with whom, in his
illness, Newman had been travelling, had left him alone here to offer
this “speechless intercession” on behalf of him who had departed.
Then, after Froude’s death on February 28, 1836, Newman added the
final lines:
‘“Ah, dearest! with a word he could dispel
All questioning, and raise
Our hearts to rapture, whispering all was well,
And turning prayer to praise.
And other secrets, too, he could declare,
By patterns all divine,
His earthly creed retouching here and there,
And deepening every line.
Dearest! he longs to speak, as I to know,
And yet we both refrain.
It were not good: a little doubt, below,
And all will soon be plain.”
‘Such was Newman’s feeling for the friend (already suffering from the
commencement of the consumption of which he died three years later)
with whom he visited the Mediterranean between December, 1832, and
April, 1833, when they separated at Rome…. They visited Ithaca, but in
his poems written “off Ithaca” Newman never mentions the name of
Ulysses, though in passing Lisbon he had recalled that strong pagan
figure, in the lines which he headed “The Isles of the Sirens”:
‘“Cease, stranger, cease those piercing notes,
The craft of siren choirs;
Hush the seductive voice that floats
Upon the languid wires.
Music’s ethereal fire was given
Not to dissolve our clay,
But draw Promethean beams from heaven,
And purge the dross away.
Public-domain text, read in full here on John Shaqi.
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