Hurrell Froude: Memoranda and CommentsGuiney, Louise Imogen
History
Hurrell Froude: Memoranda and Comments
Guiney, Louise Imogen
Froude, Richard Hurrell, 1803-1836
‘… Fundamentally agreeing with Froude, from the first, in the
principles of religious fear, obedience, and self-distrust, Newman
differed from him only in the expression and application of them; and
on these points Froude’s mind was settled while Newman’s was still in
flux. No wonder that, by degrees, Newman lost confidence in any
utterance of his own unless Froude first stamped it with his approval.
Did not Froude always take the lead, experimenting, as it were, on
himself? And had not Newman repeatedly to confess that Froude was
right, and he himself wrong? One reason for this was, that Froude,
being of an æsthetic bent, instinctively turned from the Primitive
Church, which was, to him, an affair of books, and of which he knew
very little, to the Mediæval Church, with which he was in complete
harmony, or to the Anglican Nonjurors, about whom he had some
sympathetic knowledge. This gave to his notions a naturalness and a
practicableness in which Newman’s were deficient. For this, and for
other reasons, Froude seemed to be a seer in regions where Newman was
only a groper; and so, in time, the latter came naturally not only to
depend on the former, but also to avow his dependence so far as to
declare his unwillingness to commit himself to anything definite till
the man who could see had given it his imprimatur. Still, the brighter
and more pleasing side of Froude’s character must not allow us to
forget that his search after holiness implied not only something
bordering on abjectness towards God, but also strife on earth, and the
appearance of ill-will towards a great multitude of men. These
qualities explain in part the secret of his power over Newman, who
would not have allowed himself to be influenced by any but a detached
soul holding aloof from all the world, and especially, perhaps, from
the rabble, that “knoweth not the law.” But Froude was by far the more
combative of the two, and appears to have acted on Newman, as on
Keble, in the way of an inciting cause, or, to use his own metaphor, a
“poker.”
Public-domain text, read in full here on John Shaqi.
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