Hurrell Froude: Memoranda and CommentsGuiney, Louise Imogen
History
Hurrell Froude: Memoranda and Comments
Guiney, Louise Imogen
Froude, Richard Hurrell, 1803-1836
and my father went into one in an out-of-the-way village, in which
there [were] fine silver lamps, a copy of Leonardo da Vinci’s Last
Supper, well executed, and several pictures of Saints, in the hard
German style of the fifteenth century. I went twice into the Church
which is the depository of the body of St. Spiridion;[103] and people
were praying there both times, one person apparently from the higher
classes. In the chapel where the body lies, lamps are always kept
dimly burning, and the people go in and kiss the shrine. The feet are
stained with tears, and there are many splendid offerings there of
precious stones. They keep all the Saints’ days by going to Church,
and playing cards afterwards; and on the fast days they fast fairly….
On our way back from Corfu, the curtain was drawn back which had
before hung over the scenery, and the long ridges of the Acarnanian
mountains appeared in full splendour; among these many points in the
range of Pindus were visible in the distance; and from Zante we
certainly saw the summit of Parnassus, though partially intercepted
with clouds. To look at, Mount St. Meri, in the north of Morea, is the
most magnificent, but I do not know its classical name.[104] And now I
suppose I must bid farewell to these extraordinary places for the rest
of my life; having only just seen enough of them to know how well
worth seeing they are.’
The fifteen days of detention were not quite so annoying or so
monotonous as the travellers had feared. ‘This Lazaret,’ says Newman
in the course of a long letter to his sister Jemima, ‘was built by the
Knights [of St. John at Malta] for the Turks…. We burn olive wood. I
assure you we make ourselves very comfortable. We feed well from an
hotel across the water. The Froudes draw and paint. I have hired a
violin, and bad as it is, it sounds grand in such spacious halls. I
write verses, and get up some Italian, and walk up and down the rooms
about an hour and a half daily; and we have a boat, and are allowed to
go about the harbour.’ An incident on the quarantine island is
responsible, in Newman’s biography, for the one and only tiff between
himself and Froude.[105] In reality, it was no tiff at all, as Froude
was wholly innocent of offence. (Newman, it may be remarked in
passing, had just written his _David and Jonathan_.) It seems that
during the January nights in the Lazaretto, all three of the English
travellers used to hear unaccountable footsteps, in the rooms and
galleries, their own doors having been locked from the outside. On one
occasion Newman thought he heard the noises in Archdeacon Froude’s
room. ‘The fourth time it occurred, I hallooed out: “Who’s there?” and
sat up in my bed ready to spring out. A deep silence followed, and I
sat waiting a considerable time: and thus I caught my cold.’ A week
later, there is no clean bill of health to send Mrs. Newman. ‘The
weather has been unusually severe here. My cold caught in the Lazaret
Public-domain text, read in full here on John Shaqi.
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