The comfortless evening repast was over, and he betook himself to the
library, Sarah's favorite room, as it was also his. Her low easy-chair
stood in its usual place opposite his at the center-table, but her
workbasket was missing; likewise the book with its silver marker,
that he was wont to see lying side by side with some volume he had
selected for his own reading. But one lay there now, and there was
an odd choking in his throat as he read the title on the back. He
had expressed a wish for it in Sarah's hearing some days before, and
her delicate forethought had left it here as a solace and keepsake,
one that should, while reminding him of her, yet charm away sad
feelings in her absence. Even in the exterior of the gift, she had
been regardful of his taste. The binding was solid and rich; no gaudy
coloring or tawdry gilt; the thick smooth paper and clear type were a
luxury to touch and sight. Lewis was no sentimentalist in the ordinary
acceptation of the term, yet he kissed the name his wife had traced
upon the fly-leaf ere he sat down to employ the evening as she by her
gift tacitly requested him to do. But it was a useless attempt. The
book was not in fault, and he should have read it intently if only
because she had bestowed it; still the hand that held it sank lower and
lower, until it rested upon his knee, and the reader was the thinker
instead.
The most prosaic of human beings have their seasons of
reverie--pleasing or mournful, which are, unknown often to themselves,
the poetry of their lives. Such was the drama Lewis Hammond was now
rehearsing in his retrospective dreams.
Public-domain text, read in full here on John Shaqi.
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