Sarah's embarrassment was painful and but indifferently concealed. She
felt that it was barely excusable, in consideration of his fraternal
relation to her, for Philip to speak so plainly of this social blemish;
and altogether unpardonable, while he did not, or could not, prevent
his wife's participation in the questionable gaieties he assailed
so unsparingly. Reply she could not, without implicating Lucy in
her reprobation, and he must perceive her difficulty. This was the
trouble that lay uppermost. At her heart's core, the uneasy feeling
she ever experienced in conversation with him; the stirring of the
entombed love, of whose actual death she had horrible misgivings;
the incongruous blending of past emotion with present duty, were now
aggravated by the enforced acceptance of unmerited praise. Her woman's
instinct, her experience as a wife, told her that the cause of the
sinful recklessness, the contempt of the true spirit of the marriage
tie, was not the fruit merely of the vanity and thirst for adulation,
to which it was properly attributed. With the recollection of her own
life, the education she had received at home, the hateful, yet even to
her independent spirit, resistless decrees of society, there swelled up
within her bosom something akin to Philip's bitter cynicism. Under this
spur, she spoke.
"And from these signs of the times, you would argue an inherent
degeneracy of womanhood--a radical change in its composition, such
as some anatomists tell us has taken place in the structure of our
bodies--our blood--our very teeth. A dentist, who filled a tooth for me
the other day, imparted divers scientific items of information to me
that may illustrate your position. 'Enamel, madam, is not what enamel
was in the days of our ancestors!' he affirmed pathetically; 'the
color, the very ingredients of the bone, the calcareous base of the
teeth, differ sadly from the indestructible molars of fifty years ago.'
At this passage of his jeremiade, he chanced to touch the nerve in the
unhappy 'molar' he was excavating, and I am persuaded that I suffered
as really as my grandmother would have done, had she sat in my place."
She paused, and beat time with her fingers on Jeannie's shoulder to the
wild, varying waltz that swept the giddy crowd around the room in fast
and flying circles.
"Your analogy asserts, then, that at heart women are alike in all ages?"
"Why not, as well as men?"
"Then why does not action remain the same, if that be true?"
"Because custom--fashion, if you prefer this name--an unaccountable,
irresponsible power--owing its birth oftenest to accident or caprice,
says, 'Do this!' and it is done! be it to perpetrate a cravat-bow, a
marriage, or a murder!"
Another pause--in which music and dancers seemed sweeping on to sweet
intoxication--so joyous in their abandon were the gushing strains; so
swift the whirl of the living ring. The fingers played lightly and
rapidly on Jeannie's plump shoulder--then rested on a half-beat.
Public-domain text, read in full here on John Shaqi.
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