Right and left of the hall stretched corridors, whose shining parquet
invited the curious to explore the working-rooms and eating-rooms which
lay beyond. The door of the chapel stood open, and offered a vision
of simpering angels crowding the canvas of the altar-piece, a
justly-admired specimen of German religious art. Before it, dimly
seen, two nuns knelt, types of conventual piety, absorbed in spiritual
contemplation amid the tumult of the world’s invasion of their
sanctuary. Another door led to the garden. Here a fountain played into a
great stone basin, and neat gravel walks intersected each other at sharp
angles among flower-beds. The grass which lay around the maze of paths
was sacred as a rule, even from the list slippers of the nuns, but
to-day booths stood on it like stalls at a charity bazaar, hung with
tweeds, blankets, and stockings. A tall Calvary lowered incongruously
over one. An inferior Madonna, deposed from her old station in the
entrance-hall, presided in a weather-beaten blue robe over another.
Beyond the garden, blocked off from it by a white wall, lay the factory
itself, the magnet which was drawing the great of the earth to the
nunnery. Here were the workers, all of them bright young women, smiling
pleasantly and well washed for the occasion. They were dressed in neat
violet petticoats and white blouses, with shawls thrown back from their
heads, a glorified presentment of the Mayo woman’s working dress. Here
and there, a touch of realism creditable to the Reverend Mother’s talent
for stage management, one sat in bare feet--not, of course, dust or mud
stained, as bare feet are apt to be in Connaught, but clean. The careful
observer of detail might have been led to suppose that the Sisters
improved upon the practice of the Holy Father himself, and daily washed
the feet of the poor.
Everywhere fresh-complexioned, gentle-faced nuns flitted silently about.
The brass crosses pendent over their breasts relieved with a single
glitter the sombre folds of their robes. Snowy coifs, which had cost the
industrial schoolgirls of a sister house hours of labour and many tears,
shone, glazed and unwrinkled, round their heads. Even the youngest of
them had acquired the difficult art of walking gracefully with her hands
folded in front of her.
Public-domain text, read in full here on John Shaqi.
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