“That the ceremonial of the opening may be distinctly understood, let us
sketch, as rapidly as possible, the appearance of the interior about
half-past 11 o’clock, when the doors closed and admission ceased. In the
north half of the transept, and grouped around the throne, were
assembled the Royal Commission, Her Majesty’s Ministers, the Executive
Committee, the Diplomatic Corps, the Lord Mayor, Sheriffs, and Aldermen
of the City, the Commissioners of Foreign Powers, the Special
Commissioners, Dr. Lyon Playfair and Colonel Lloyd, the architect, Mr.
Paxton, the contractors, Messrs. Fox and Henderson, and the principal
officers of the Executive, including Messrs. Digby Wyatt, Owen Jones and
C. H. Wild. A list of the great and distinguished persons present would
only be a repetition to the public of names with which they are
familiar, and we, who have watched, from the commencement, the progress
of this great undertaking, think it only justice, in describing an event
such as that which occurred yesterday, that those who, by their energy
and skill, have contributed to the success which has been accomplished,
should chiefly be remembered.
“Let us look at that assemblage for a few minutes, and see what meaning
we can gather from their movements. They are nearly all in Court
dresses, and, in some instances, the experienced eye can detect the
awkwardness of manner which such unwonted habiliments superinduce. While
they chat together, other characters appear on the scene.
“The Heralds come--a curious mixture of the ancient and modern; one half
of their _personelle_ strictly _à la mode_, the rest, a tabard covered
with mediæval escutcheons and devices. Notwithstanding recent
retrenchments, the Beef-eaters showed themselves yesterday in great
strength, health and corpulence; and some of them, for size, might bear
comparison with the giant porter of ‘Queen Bess.’ Officers of the
Household troops appeared on the scene at an early hour, their showy
uniforms heightening the effect, and giving brilliancy to the whole
assemblage. The galleries which run along the northern half of the
transept had been, to some extent, reserved for choristers and for
families of distinction.
Public-domain text, read in full here on John Shaqi.
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