Hyde Park, Its History and RomanceAlec-Tweedie, Mrs. (Ethel)
History
Hyde Park, Its History and Romance
Alec-Tweedie, Mrs. (Ethel)
Hyde Park (London, England); London (England) -- Social life and customs
“There is a fine portrait of Napoleon as First Consul by Dabos in the
small yellow drawing-room of Apsley House, to which rather a curious
story is attached. In May 1824 the Duke wrote an invitation to dinner
to a Mr. Fleming. The messenger, by mistake, delivered it at the house
of another gentleman of the same name. Finding his error, the man went
again and asked for the return of the invitation. Mr. Fleming replied
that the invitation signed by the Duke had been delivered to him, and
he meant to avail himself of it, as he should never have such an honour
again—mistake or no mistake, he should come to dinner to Apsley House.
The Duke was told, and, after inviting him, could hardly refuse him
admittance, so made the best of it, though Mr. Fleming found a very
frigid reception. The next day he sent this fine picture to His Grace
by way of amends.
“At the foot of the great staircase is a gigantic nude statue of
Napoleon by Canova, a splendid work eleven feet high.
“In the long gallery overlooking the Row and the Park, surely one
of the most stately rooms in London, was held every recurring 18th
of June, to the end of the great Duke’s life, the Waterloo banquet,
where the dwindling band of companions in arms of the Chief met in the
glittering panoply of the brave days gone by, to celebrate the crowning
victory that brought peace to Europe. The well-known print by Moon
represents one of the last of these historic banquets, where, under
the splendid canvasses of Velasquez, Murillo, and Titian, the Duke of
Wellington is represented standing at the long, crowded dinner-table,
surrounded by his old comrades, to propose his annual toast. In the
large yellow drawing-room the portraits of many of the old generals
hang: Lord Anglesea, Picton, Hill, Somerset, Beresford, Alava, and the
rest of them, their strong faces glowing still with the bright brushes
of Lawrence and Pienemann, and their splendid uniforms shaming the
utilitarian khaki of to-day. Some of these great old soldiers, like
Lord Combermere—padded and dyed phantoms they seemed, as one recollects
them—were spared to ride in the Park almost daily within the memory of
those not yet effete, but not many of them outlived their great leader.”
Public-domain text, read in full here on John Shaqi.
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