DESCRIPTION.--The ear is divided into the _external_, _middle_,
and _internal_ ear.
1. _The External Ear_ is a sheet of cartilage curiously folded for
catching sound. The auditory canal, _B_, or tube of this ear trumpet,
is about an inch long. Across the lower end is stretched _the membrane
of the tympanum_ or drum, which is kept soft by a fluid wax.
FIG. 60.
[Illustration: _The Ear._]
2. _The Middle Ear_ is a cavity, at the bottom of which is the
Eustachian tube, _G_, leading to the mouth. Across this chamber hangs
a chain of three singular little bones, _C_, named from their shape
the _hammer_, the _anvil_, and the _stirrup_. All together
these tiny bones weigh only a few grains, yet they are covered by a
periosteum, are supplied with blood vessels, and they articulate with
perfect joints (one a ball-and-socket, the other a hinge), having synovial
membranes, cartilages, ligaments, and muscles.
3. _The Internal Ear_, or labyrinth, as it is sometimes called from
its complex character, is hollowed out of the solid bone. In front, is the
vestibule or antechamber, _A_, about as large as a grain of wheat;
from it open three _semicircular canals_, _D_, and the winding
stair of the _cochlea_, or snail shell, _E_. Here expand the
delicate fibrils of the auditory nerve. Floating in the liquid which fills
the labyrinth is a little bag containing hair-like bristles, fine sand,
and two ear stones (_otoliths_). All these knocking against the ends
of the nerves, serve to increase any impulse given to the liquid in which
they lie. Finally, to complete this delicate apparatus, in the cochlea are
minute tendrils, named the fibers of Corti, from their discoverer. These
are regularly arranged,--the longest at the bottom, and the shortest at
the top. Could this spiral plate, which coils two and a half times around,
be unrolled and made to stand upright, it would form a beautiful
microscopic harp of three thousand strings. If it were possible to strike
these cords as one can the keyboard of a piano, he could produce in the
mind of the person experimented upon every variety of tone which the ear
can distinguish.
Public-domain text, read in full here on John Shaqi.
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