Contrast this intelligent adaptation of a delicate physical mechanism with the barbarous treatment it too commonly receives. The Chinese are at least consistent. They cripple and distort the feet of their highborn daughters until they crush out all the power and gracefulness of nature in the artificial formation of what they term a "golden lily"; but they never expect these golden-lilied women to make their withered feet useful. With us, on the contrary, every girl would like to walk well, to display in her general movements something of the "poetry of motion"; yet the absurd and arbitrary fashion of our foot gear not only makes an elastic step one of the rarest of accomplishments, but renders oftentimes the simple act of walking a painful burden. The calluses, corns, bunions, ingrowing nails, and repulsive deformities that are caused by and hidden under the narrow- toed, high-heeled instruments of torture we often wear for fashion's sake are uncomfortable suggestions that our practices are not greatly in advance of those of our Celestial sisters. Dowie, a sensible Scotch shoemaker, satirizes the shape of a fashionable boot as suited only to "the foot of a goose with the great toe in the middle." The error which may have led to the adoption of this conventional shape appears to lie in a misconception of the natural formation of the foot, and of the relation of the two feet to each other. It is true, that when the toes are covered with their soft parts, the second toe appears a little longer than the first, and this appearance, emphasized and exaggerated, is perhaps responsible for a practical assumption that Nature intended an even-sided, tapering foot. On the contrary, the natural foot gradually expands in breadth from the instep to the toes and, in the skeleton itself, the great toe is the longest. "There is no law of beauty," says Dr. Ellis, "which makes it necessary to reduce the foot to even-sided symmetry. An architect required to provide more space on one than on the other side of a building would not seek to conceal or even to minimize the difference; he would seek rather to accentuate it, and give the two sides of the structure distinctive features....Moreover, the sense of symmetry is, or ought to be, satisfied by the exact correspondence of the two feet, which, taken jointly, may be described as the two halves of an unequally expanded dome."--E. B. S. THE MUSCLES.