"There you have the poetic reverie," said Flemming, "and the dull prose
commentary and explanation in matter of fact. The song is pretty; and
was probably suggested by some such scene as this, which we are now
beholding. Doubtless all your old national traditions sprang up in the
popular mind as this song in the poet's."
"Your opinion is certainly correct," answered the Baron; "and yet all
this play of poetic fancy does not prevent me from feeling the chill
night air, and the pangs of hunger. Let us go back to the mill, and see
what our landlady has for supper. Did you observe what a loud, sharp
voice she has?"
"People always have, who live in mills, and near water-falls."
On the following morning they emerged unwillingly from the green, dark
valley, and journeyed along the level highway to Frankfort, where in
the evening they heard the glorious Don Giovanni of Mozart. Of all
operas this was Flemming's favorite. What rapturous flights of sound!
what thrilling, pathetic chimes! what wild, joyous revelry of passion!
what a delirium of sense!--what an expression of agony and woe! all the
feelings of suffering and rejoicing humanity sympathized with and
finding a voice in those tones. Flemming and the Baron listened with
ever-increasing delight.
"How wonderful this is!" exclaimed Flemming, transported by his
feelings. "How the chorus swells and dies, like the wind of summer! How
those passages of mysterious import seem to wave to and fro, like the
swaying branches of trees; from which anon some solitary sweetvoice
darts off like a bird, and floats away and revels in the bright, warm
sunshine! And then mark! how, amid the chorus of a hundred voices and a
hundred instruments,--of flutes, and drums, and trumpets,--this
universal shout and whirl-wind of the vexed air, you can so clearly
distinguish the melancholy vibration of a single string, touched by the
finger,--a mournful, sobbing sound! Ah, this is indeed human life!
where in the rushing, noisy crowd, and amid sounds of gladness, and a
thousand mingling emotions, distinctly audible to the ear of thought,
are the pulsations of some melancholy string of the heart, touched by
an invisible hand."
Public-domain text, read in full here on John Shaqi.
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