Then came, in the midst of these excited feelings, the ballet; drawing
its magic net about the soul. And soon, from the tangled yet harmonious
mazes of the dance, came forth a sylph-like form, her scarf floating
behind her, as if she were fanning the air with gauze-like wings.
Noiseless as a feather or a snow-flake falls, did her feet touch the
earth. She seemed to floatin the air, and the floor to bend and wave
under her, as a branch, when a bird alights upon it, and takes wing
again. Loud and rapturous applause followed each wonderful step, each
voluptuous movement; and, with a flushed cheek and burning eye, and
bosom panting to be free, stood the gracefully majestic figure for a
moment still, and then the winged feet of the swift dancing-girls
glanced round her, and she was lost again in the throng.
"How truly exquisite this is!" exclaimed the Baron, after joining
loudly in the applause. "What a noble figure! What grace! what
attitudes! How much soul in every motion! how much expression in every
gesture! I assure you, it produces upon me the same effect as a
beautiful poem. It is a poem. Every step is a word; and the whole
together a poem!"
The Baron and Flemming were delighted with the scene; and at the same
time exceedingly amused with the countenance of an old prude in the
next box, who seemed to look upon the wholemagic show, with such
feelings as Michal, Saul's daughter, experienced, when she looked from
her window and saw King David dancing and leaping with his scanty
garments.
"After all," said Flemming, "the old French priest was not so far out
of the way, when he said, in his coarse dialect, that the dance is the
Devil's procession; and paint and ornaments, the whetting of the
devil's sword; and the ring that is made in dancing, the devil's
grindstone, whereon he sharpens his sword; and finally, that a ballet
is the pomp and mass of the Devil, and whosoever entereth therein,
entereth into his pomp and mass; for the woman who singeth is the
prioress of the Devil, and they that answer are clerks, and they that
look on are parishioners, and the cymbals and flutes are the bells, and
the musicians that play are the ministers, of the Devil."
"No doubt this good lady near us, thinks so likewise," answered the
Baron laughing; "but she likes it, for all that."
When the play was over the Baron begged Flemming to sit still, till the
crowd had gone.
Public-domain text, read in full here on John Shaqi.
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