"I have a strange fancy," said he, "whenever I come to the theatre, to
see the end of all things. When the crowd is gone, and the curtain
raised again to air the house, and the lamps are all out, save here and
there one behind the scenes, the contrast with what has gone before is
most impressive. Every thing wears a dream-like aspect. The empty boxes
and stalls,--the silence,--the smoky twilight, and the magic scene
dismantled, produce in me a strange, mysterious feeling. It is like a
dim reflection of a theatre in water, or in a dusty mirror; and reminds
me of some of Hoffmann's wild Tales. It is a practical moral lesson,--a
commentary on the play, and makes the show complete."
It was truly as he said; only tenfold more desolate, solemn, and
impressive; and produced upon the mind the effect we experience, when
slumber is suddenly broken, and dreams and realities mingle, and we
know not yet whether we sleep or wake. As they at length passed out
through the dimly-lighted passage, they heard a vulgar-looking fellow,
with a sensual face and shaggy whiskers, say to some persons who were
standing near him, and seemed to be hangers-on of the play-house;
"I shall run her six nights at Munich, and then take her on to Vienna."
Flemming thought he was speaking of some favorite horse. He was
speaking of his beautiful wife, the ballet-dancer.
CHAPTER VIII. OLD HUMBUG.
What most interested our travellers in the ancient city of Frankfort,
was neither the opera nor the Ariadne of Dannecker, but the house in
which Goethe was born, and the scenes he frequented in his childhood,
and remembered in his old age. Such for example are the walks around
the city, outside the moat; the bridge over the Maine, with the golden
cock on the cross, which the poet beheld and marvelled at when a boy;
the cloister of the Barefooted Friars, through which he stole with
mysterious awe to sit by the oilcloth-covered table of old Rector
Albrecht; and the garden in which his grandfather walked up and down
among fruit-trees and rose-bushes, in long morning gown, black velvet
cap, and the antique leather gloves, which he annually received as
Mayor on Pipers-Doomsday, representing a kind of middle personage
between Alcinous and Laertes. Thus, O Genius! are thy foot-prints
hallowed; and the star shines forever over the place of thy nativity.
Public-domain text, read in full here on John Shaqi.
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