Thus Flemming took possession of his monkish cell and dormitory. He
ordered tea, and began to feel at home. Berkley passed the evening with
him. On going away he said;
"Good night! I leave you to the care of the Virgin and all the Saints.
If the ghost of any old monk comes back after his prayer-book, my
compliments to him. If I were a younger man, you certainly should see a
ghost. Good night!"
When he had departed, Flemming opened the lattice of one of the
windows. The moon had risen, and silvered the dark outline of the
nearest hills; while, afar off, the snowy summits of the Jungfrau and
the Silver-Horn shone like a white cloud in the sky. Close beneath the
windows was a flower-garden; and the breath of the summer night came to
him with dewy fragrance. There was a grateful seclusion about the
place. He blessed the happy accident, which gave him such a lodging,
and fell asleep that night thinking of the nuns, who once had slept in
the same quiet cells; but neither wimpled nun nor cowled monk appeared
to him in his dreams; not even the face of Mary Ashburton; nor did he
hear her voice.
CHAPTER IV. THE EVENING AND THE MORNING STAR.
Old Froissart tells us, in his Chronicles, that when King Edward beheld
the Countess of Salisbury at her castle gate, he thought he had never
seen before so noble nor so fair a lady; he was stricken therewith to
the heart with a sparkle of fine love, that endured long after; he
thought no lady in the world so worthy to be beloved, as she. And so
likewise thought Paul Flemming, when he beheld the English lady in the
fair light of a summer morning. I will not disguise the truth. She is
my heroine; and I mean to describe her with great truth and beauty, so
that all shall be in love with her, and I most of all.
Mary Ashburton was in her twentieth summer. Like the fair maiden
Amoret, she was sitting inthe lap of womanhood. They did her wrong, who
said she was not beautiful; and yet
"she was not fair,
Nor beautiful;--those words express her not.
But O, her looks had something excellent,
That wants a name!"
Her face had a wonderful fascination in it. It was such a calm, quiet
face, with the light of the rising soul shining so peacefully through
it. At times it wore an expression of seriousness,--of sorrow even; and
then seemed to make the very air bright with what the Italian poets so
beautifully call the lampeggiar dell' angelico riso,--the lightning of
the angelic smile.
And O, those eyes,--those deep, unutterable eyes, with "down-falling
eyelids, full of dreams and slumber," and within them a cold, living
light, as in mountain lakes at evening, or in the river of Paradise,
forever gliding,
"with a brown, brown current
Under the shade perpetual, that never
Ray of the sun lets in, nor of the moon."
Public-domain text, read in full here on John Shaqi.
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