Flemming waited no longer; but read with the eyes of a lover, not of a
critic, the following description, which inspired him with a new
enthusiasm for Art, and for Mary Ashburton.
"I often reflect with delight upon the young artist's life in Rome. A
stranger from the cold and gloomy North, he has crossed the Alps, and
with the devotion of a pilgrim journeyed to the Eternal City. He dwells
perhaps upon the Pincian Hill; and hardly a house there, which is not
inhabited by artists from foreign lands. The very room he lives in has
been their abode from time out of mind. Their names are written all
over the walls; perhaps some further record of them left in a rough
sketch upon the window-shutter, with an inscription and a date. These
things consecrate the place, in his imagination. Even these names,
though unknown to him, are not without associations in his mind.
"In that warm latitude he rises with the day. The night-vapors are
already rolling away over the Campagna sea-ward. As he looks from his
window, above and beyond their white folds he recognises the tremulous
blue sea at Ostia. Over Soracte rises the sun,--over his own beloved
mountain; though no longer worshipped there, asof old. Before him, the
antique house, where Raphael lived, casts its long, brown shadow down
into the heart of modern Rome. The city lies still asleep and silent.
But above its dark roofs, more than two hundred steeples catch the
sunshine on their gilded weather-cocks. Presently the bells begin to
ring, and, as the artist listens to their pleasant chimes, he knows
that in each of those churches over the high altar, hangs a painting by
some great master's hand, whose beauty comes between him and heaven, so
that he cannot pray, but wonder only.
"Among these works of art he passes the day; but oftenest in St.
Peter's and the Vatican. Up the vast marble stair-case,--through the
Corridor Chiaramonti,--through vestibules, galleries, chambers,--he
passes, as in a dream. All are filled with busts and statues; or
painted in daring frescoes. What forms of strength and beauty! what
glorious creations of the human mind! and in that last chamber of all,
standing alone upon his pedestal, the Apollo found at Actium,--in such
a majestic attitude,--with such a noble countenance, life-like,
god-like!
Public-domain text, read in full here on John Shaqi.
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