My post-bag day by day contains a certain missive which is not a
letter. It is a little green, printed wrapper which most authors,
painters, players, and musicians are in the habit of receiving--it is
the batch of press-cuttings which show how the critics regard my books
and what the paragraphists have to say. The critics are always being
criticized by authors. Mr. Jones gravely points out the duty of
appreciating his work that the reviewer owes to literature. Nor is it,
as Mr. Birrell pointed out, in the days when he wrote delightful
essays and had not been forced to dance to the dictates of political
dissent, the unsuccessful author who is the loudest in complaint. The
beginner, the men and women who cannot say as yet that they have
achieved a definite position, these seem to have digested the poet
laureate’s neat advice--
“Friend, be not fretful if the voice of fame,
Along the narrow way of hurrying men,
Whereunto echo echo shouts again,
Be all day long not noisy with your name.”
But others are not so reticent. For my part I cannot understand the
attitude of the novelist who publishes shouts of resentment at
criticism which is not to his liking--remember, in view of what I am
going to say later, that I use the word _criticism_. The other day,
while on a journey to the Riviera, I bought a copy of Miss Marie
Corelli’s last book of essays, in Paris. I read it through the night
until I fell asleep, and when the sun flooded the olive trees I took
it up once more, and finished it just as we ran into Marseilles. I
suppose that this lady is the most popular writer of the day. She is a
great modern force; she reaches an enormous audience, and speaks
straight to their hearts. I have heard dozens of men and women say
that they prefer her to any author alive or dead. Now this is surely
to be in a very splendid position, is it not? Why, then, should a
woman whose talents have won for her such place and power, print an
angry, comprehensive, and I am afraid sometimes, spiteful indictment
of all critics? I can’t see her reason.
Destouches wrote:--
“La plainte est pour le fat, le bruit est pour le sot;
L’honnête homme hue s’éloigne et ne dit mot!”
Public-domain text, read in full here on John Shaqi.
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