Davis, Owen, 1874-1956; Dramatists, American -- Biography
I surely must settle down to work. No matter how much a man may enjoy
his job, every writer in the world has times when he thinks he is
through. It’s part of the game. We all of us have hours of profound
depression when we are afraid of the future and in terror of our own
limitations. We are sure that no good story will ever again come to us
and doubtful if we would know what to do with it if it did. This is
natural enough when a writer has just finished a play or a novel,
because, of course, he has put all he had into it and his mind feels
empty. But this mood often comes at other times, and the best cure for
it is to hang around doing nothing until you happen to read a fine novel
that has just been published or see a really good play—the right play
always sends me out of the theater walking on air, and I go to bed
tingling all over to wake up the next morning with a new hope and a new
determination.
The worst disease, however, that comes to a writer who has been at his
job for a long time is the awful fear of being “dated.” Of course it’s
hard for one of middle age to write of life in any other way than as he
knows it, and equally, of course, our lasting impressions do not come to
us after fifty. I fussed for a while over the fear of getting to be a
back number, and wondered if I could possibly grow to understand what we
were pleased to call “the new generation.” I found, or fancied I found,
a great change in the old world, until I happened to recall that these
changes had been going on since time began. A very careful study of
audiences convinced me that they still reacted to an honest emotion,
just exactly as they always had done, and that the only difference in
the world around me was that the old gods had different names.
To me, with my conviction that as the world goes on it gets better and
more worth living in, it makes no difference at all whether it is the
custom to say “Hail! Cæsar!” or “Hello, Cæsar,” and I very much doubt if
any of our changes are very much deeper than this. We were a sentimental
people, as every race of adventurers must be. Now we have become a very
practical race, hard boiled, if one prefers to put it that way. A little
while ago we slopped over about our emotions because that was the
custom; to-day for the same reason we pretend we haven’t any. Of course
our emotions weren’t any greater because we made a fuss about them, or
any less because we now cover them up. The relationship between men and
women has changed during the last ten years, so had it changed in the
generation before that, and so on back to the time of Adam, but that
relationship then and now was a thing of enormous interest, and a swell
thing to write a play about.
Public-domain text, read in full here on John Shaqi.
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