Davis, Owen, 1874-1956; Dramatists, American -- Biography
The revival of the road, until such time as the turn of the tide has
made that revival automatic, could be accomplished under wise leadership
that would work for, say, forty decent plays, decently produced,
underwritten by local subscription lists. Any community of a hundred
thousand population will furnish an audience, once they are assured that
there is a certainty of their getting adult entertainment. These aren’t
day dreams; everybody knows them; several times we have banded together
to fight for them. The last meeting called by John Golden of the
managerial group actually had a real grip on this problem, only dinner
time came around and we all went home. If some one were to call a
meeting of a strong group of actors, authors and managers, all
instructed to sit there until they accomplished something, I am sure we
would at last be under way—provided always that no lawyers be allowed at
the meeting and that it be called at a good restaurant.
During my two years with the Paramount Company, my contract reserved
half of my time for my own private affairs and I divided this time as
honestly as I knew how between my duties to the Authors’ League and my
writing. By now my son Donald had finished college and gone to Hollywood
as a staff writer, and Owen had walked out on Professor Baker at Yale,
horned into the theater when my back was turned and secured for himself
the part of the son in THE BARKER with Dick Bennett in Chicago. This
action of his, so his mother informed me, was the most dreadful calamity
of modern times and would undoubtedly bring her in sorrow to the grave,
but if you have ever seen her seated in an audience where this boy is a
member of the cast of players, you might possibly read in her deeply
absorbed face a certain smug satisfaction that would not, I am sure,
make you think of either graves or calamities.
I, being of coarser stuff, never for a moment regretted the fact that
these two boys of ours had insisted upon following in our footsteps; how
could they do anything else? They were born of two stage-struck parents
and had cut their teeth by biting managers who frequented our
establishment. If a child learns anything in the home circle, how could
they help learning about the theater? Their mother knows a little about
things outside its range, but I know nothing else at all, not even
enough to be ashamed of the fact. The great happiness of my life to-day
is that as we grow older, the four of us, we grow closer together, and
that I can talk with my sons of their problems with the authority of one
who knows something about them.
Public-domain text, read in full here on John Shaqi.
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