Davis, Owen, 1874-1956; Dramatists, American -- Biography
In any study of the motion picture business it is always well to
remember that it is a very wonderful thing to be able to send a show in
a tin can by mail or express to any location in the world, and that the
marvel of these talking figures was for a long time so great that only
the most exacting worried much about what they talked about. If,
however, the writing of picture stories is ever to offer any attraction
at all to a writer beyond the very generous salary he is offered, it is
quite obvious that some change must be made in the present system. Just
now no writer could possibly find any other reason for writing screen
stories than the money he makes out of it, and quite as obviously any
writer with the skill they sorely need can make plenty of money without
going there. Good writers of to-day are well paid and any man or woman
of the reputation for success that they demand is very likely to be in a
position of financial independence that frees him from any necessity of
surrendering his dignity and his integrity. To be sure, plenty of
writers are there now and plenty of others are probably anxious to go.
But, as the good ones come to realize the absolutely hopeless task that
confronts them, they will return to their former tasks, because they
must, if they are ever going to write anything worth writing, preserve
their originality of thought and style. Once they surrender that they
are lost. Then it doesn’t in the least matter whether they go or stay,
they won’t be worth anything in any case.
Hollywood is the strangest and the maddest place the world has ever
seen. It is beautiful; its sunshine, its flowers, its bold sea coast
with the blue Pacific challenging any beauty of Southern France or
Italy, are really thrilling. It is a beehive of activity, it is the most
cosmopolitan city in the world—and the dullest. For some reason one
comes away from Hollywood with that impression stamped firmly in the
memory. It’s a bore. Forget this “wild party” stuff. Don’t pay any
attention to stories of the glamour and excitement of Hollywood. It’s
just a dull place, a grand spot for winter golf, but a wash-out for any
mature person who depends in the least upon mental stimulation; there
isn’t any. The picture business is the second, or the third, or the
first or some such silly number among the world’s industries, which is
probably what’s the matter with Hollywood and with the motion pictures.
They are standardized, circumscribed, advertised and circumcised to such
an extent that all they can do is say “Mamma” when you step on them.
Public-domain text, read in full here on John Shaqi.
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