Great Britain -- Social life and customs -- 19th century -- Fiction; Mystery fiction
“You are to understand,” he replied, “that a person whom Miss Ladd
employs to help her in teaching, cannot always presume to express his
sentiments in speaking to the young ladies.”
“If that means anything, Mr. Morris, it means that we are enemies.”
“It means, Miss de Sor, that I am the drawing-master at this school, and
that I am called to my class.”
Francine returned to her room, relieved of the only doubt that had
troubled her. Plainly no suspicion that she had overheard what passed
between Mrs. Ellmother and himself existed in Alban’s mind. As to the
use to be made of her discovery, she felt no difficulty in deciding to
wait, and be guided by events. Her curiosity and her self-esteem had
been alike gratified--she had got the better of Mrs. Ellmother at last,
and with that triumph she was content. While Emily remained her friend,
it would be an act of useless cruelty to disclose the terrible truth.
There had certainly been a coolness between them at Brighton. But
Francine--still influenced by the magnetic attraction which drew her
to Emily--did not conceal from herself that she had offered the
provocation, and had been therefore the person to blame. “I can set all
that right,” she thought, “when we meet at Monksmoor Park.” She opened
her desk and wrote the shortest and sweetest of letters to Cecilia. “I
am entirely at the disposal of my charming friend, on any convenient
day--may I add, my dear, the sooner the better?”
CHAPTER XXXVII. “THE LADY WANTS YOU, SIR.”
The pupils of the drawing-class put away their pencils and color-boxes
in high good humor: the teacher’s vigilant eye for faults had failed
him for the first time in their experience. Not one of them had been
reproved; they had chattered and giggled and drawn caricatures on the
margin of the paper, as freely as if the master had left the room.
Alban’s wandering attention was indeed beyond the reach of control. His
interview with Francine had doubled his sense of responsibility
toward Emily--while he was further than ever from seeing how he could
interfere, to any useful purpose, in his present position, and with his
reasons for writing under reserve.
One of the servants addressed him as he was leaving the schoolroom.
The landlady’s boy was waiting in the hall, with a message from his
lodgings.
“Now then! what is it?” he asked, irritably.
“The lady wants you, sir.” With this mysterious answer, the boy
presented a visiting card. The name inscribed on it was--“Miss Jethro.”
She had arrived by the train, and she was then waiting at Alban’s
lodgings. “Say I will be with her directly.” Having given the message,
he stood for a while, with his hat in his hand--literally lost in
astonishment. It was simply impossible to guess at Miss Jethro’s
object: and yet, with the usual perversity of human nature, he was still
wondering what she could possibly want with him, up to the final moment
when he opened the door of his sitting-room.
Public-domain text, read in full here on John Shaqi.
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