No: the insatiable amateur had his own purpose to gain, and was not exhausted yet. Mr. Wyvil got up to look for some more music. In that interval desultory conversation naturally took place. Mirabel contrived to give it the necessary direction--the direction of Emily. “The most delightful girl I have met with for many a long year past!” Mr. Wyvil declared warmly. “I don’t wonder at my daughter being so fond of her. She leads a solitary life at home, poor thing; and I am honestly glad to see her spirits reviving in my house.” “An only child?” Mirabel asked. In the necessary explanation that followed, Emily’s isolated position in the world was revealed in few words. But one more discovery--the most important of all--remained to be made. Had she used a figure of speech in saying that she was as poor as Mirabel himself? or had she told him the shocking truth? He put the question with perfect delicacy---but with unerring directness as well. Mr. Wyvil, quoting his daughter’s authority, described Emily’s income as falling short even of two hundred a year. Having made that disheartening reply, he opened another music book. “You know this sonata, of course?” he said. The next moment, the violin was under his chin and the performance began. While Mirabel was, to all appearance, listening with the utmost attention, he was actually endeavoring to reconcile himself to a serious sacrifice of his own inclinations. If he remained much longer in the same house with Emily, the impression that she had produced on him would be certainly strengthened--and he would be guilty of the folly of making an offer of marriage to a woman who was as poor as himself. The one remedy that could be trusted to preserve him from such infatuation as this, was absence. At the end of the week, he had arranged to return to Vale Regis for his Sunday duty; engaging to join his friends again at Monksmoor on the Monday following. That rash promise, there could be no further doubt about it, must not be fulfilled. He had arrived at this resolution, when the terrible activity of Mr. Wyvil’s bow was suspended by the appearance of a third person in the room. Cecilia’s maid was charged with a neat little three-cornered note from her young lady, to be presented to her master. Wondering why his daughter should write to him, Mr. Wyvil opened the note, and was informed of Cecilia’s motive in these words: “DEAREST PAPA--I hear Mr. Mirabel is with you, and as this is a secret, I must write. Emily has received a very strange letter this morning, which puzzles her and alarms me. When you are quite at liberty, we shall be so much obliged if you will tell us how Emily ought to answer it.” Mr. Wyvil stopped Mirabel, on the point of trying to escape from the music. “A little domestic matter to attend to,” he said. “But we will finish the sonata first.” CHAPTER XL. CONSULTING.