France -- History -- Revolution, 1789-1799 -- Fiction
So they pushed and jostled on in the mud, followed the crowd, sang and
yelled louder than any of them. Was not that very crowd the great
bulwark of their safety?
As well have sought for the proverbial needle in the haystack, as for
two escaped prisoners in this mad, heaving throng.
The large open space in front of the Temple Prison looked like one
great, seething, black mass.
The darkness was almost thick here, the ground like a morass, with
inches of clayey mud, which stuck to everything, whilst the sparse
lanterns, hung to the prison walls and beneath the portico, threw
practically no light into the square.
As the little band, composed of the three Englishmen, and of Déroulède,
holding Juliette by the hand, emerged into the open space, they heard a
strident cry, like that of a sea-mew thrice repeated, and a hoarse voice
shouting from out the darkness:
"_Ma foi!_ I'll not believe that the prisoners are in the Temple now! It
is my belief, friends, citizens, that we have been fooled once more!"
The voice, with its strange, unaccountable accent, which seemed to
belong to no province of France, dominated the almost deafening noise;
it penetrated through, even into the brandy-soddened minds of the
multitude, for the suggestion was received with renewed shouts of the
wildest wrath.
Like one great, living, seething mass the crowd literally bore down upon
the huge and frowning prison. Pushing, jostling, yelling, the women
screaming, the men cursing, it seemed as if that awesome day--the 14th
of July--was to have its sanguinary counterpart to-night, as if the
Temple were destined to share the fate of the Bastille.
Obedient to their leader's orders the three young Englishmen remained in
the thick of the crowd: together with Déroulède they contrived to form a
sturdy rampart round Juliette, effectually protecting her against rough
buffetings.
On their right, towards the direction of Ménilmontant, the sea-mew's cry
at intervals gave the strength and courage.
The foremost rank of the crowd had reached the portico of the building,
and, with howls and snatches of their gutter song, were loudly
clamouring for the guardian of the grim prison.
No one appeared; the great gates with their massive bars and hinges
remained silent and defiant.
The crowd was becoming dangerous: whispers of the victory of the
Bastille, five years ago, engendered thoughts of pillage and of arson.
Then the strident voice was heard again:
"_Pardi!_ the prisoners are not in the Temple! The dolts have allowed
them to escape, and now are afraid of the wrath of the people!"
It was strange how easily the mob assimilated this new idea. Perhaps the
dark, frowning block of massive buildings had overawed them with its
peaceful strength, perhaps the dripping rain and oozing clay had damped
their desire for an immediate storming of the grim citadel; perhaps it
was merely the human characteristic of a wish for something new,
something unexpected.
Public-domain text, read in full here on John Shaqi.
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