France -- History -- Revolution, 1789-1799 -- Fiction
Lately the squalid spectators of the noisome spectacle on the Place de
la Guillotine had had few of these very welcome sights: an aristocrat
--a real, elegant, refined woman, with white hands and proud, pale
face--mounting the steps of the same scaffold on which perished the
vilest criminals and most degraded brutes.
Madame Guillotine was, above all, catholic in her tastes, her gaunt
arms, painted blood red, were open alike to the murderer and the thief,
the aristocrats of ancient lineage, and the proletariat from the gutter.
But lately the executions had been almost exclusively of a political
character. The Girondins were fighting their last upon the bloody arena
of the Revolution. One by one they fell still fighting, still preaching
moderation, still foretelling disaster and appealing to that people,
whom they had roused from one slavery, in order to throw it headlong
under a tyrannical yoke more brutish, more absolute than before.
There were twelve prisons in Paris then, and forty thousand in France,
and they were all full. An entire army went round the country recruiting
prisoners. There was no room for separate cells, no room for privacy, no
cause or desire for the most elementary sense of delicacy.
Women, men, children--all were herded together, for one day, perhaps
two, and a night or so, and then death would obliterate the petty
annoyances, the womanly blushes caused by this sordid propinquity.
Death levelled all, erased everything.
When Marie Antoinette mounted the guillotine she had forgotten that for
six weeks she practically lived day and night in the immediate
companionship of a set of degraded soldiery.
Juliette, as she marched through the streets between two men of the
National Guard, and followed by Merlin, was hooted and jeered at,
insulted, pelted with mud. One woman tried to push past the soldiers,
and to strike her in the face--a woman! not thirty!--and who was
dragging a pale, squalid little boy by the hand.
"_Crache donc sur l'aristo, voyons!_" the woman said to this poor,
miserable little scrap of humanity as the soldiers pushed her roughly
aside. "Spit on the aristocrat!" And the child tortured its own small,
parched mouth so that, in obedience to its mother, it might defile and
bespatter a beautiful, innocent girl.
The soldiers laughed, and improved the occasion with another insulting
jest. Even Merlin forgot his vexation, delighted at the incident.
But Juliette had seen nothing of it all.
Public-domain text, read in full here on John Shaqi.
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