France -- History -- Revolution, 1789-1799 -- Fiction
Then began Déroulède's weary quest through those twelve prisons of
Paris. From the Temple to the Conciergerie, from Palais Condé to the
Luxembourg, he spent hours in the fruitless search.
Everywhere the same shrug of the shoulders, the same indifferent reply
to his eager query:
"Juliette Marny? _Inconnue._"
Unknown! She had not yet been docketed, not yet classified; she was
still one of that immense flock of cattle, sent in ever-increasing
numbers to the slaughter-house.
Presently, to-morrow, after a trial which might last ten minutes, after
a hasty condemnation and quick return to prison, she would be listed as
one of the traitors, whom this great and beneficent Republic sent daily
to the guillotine.
Vainly did Déroulède try to persuade, to entreat, to bribe. The sullen
guardians of these twelve charnel-houses knew nothing of individual
prisoners.
But the Citizen-Deputy was allowed to look for himself. He was conducted
to the great vaulted rooms of the Temple, to the vast ballrooms of the
Palais Condé, where herded the condemned and those still awaiting trial;
he was allowed to witness there the grim farcical tragedies, with which
the captives beguiled the few hours which separated them from death.
Mock trials were acted there; Tinville was mimicked; then the Place de
la Révolution; Samson the headsman, with a couple of inverted chairs to
represent the guillotine.
Daughters of dukes and princes, descendants of ancient lineage, acted in
these weird and ghastly comedies. The ladies, with hair bound high over
their heads, would kneel before the inverted chairs, and place the
snowwhite necks beneath this imaginary guillotine. Speeches were
delivered to a mock populace, whilst a mock Santerre ordered a mock roll
of drums to drown the last flow of eloquence of the supposed victim.
Oh! the horror of it all--the pity, pathos, and misery of this ghastly
parody, in the very face of the sublimity of death!
Déroulède shuddered when first he beheld the scene, shuddered at the
very thought of finding Juliette amongst these careless, laughing,
thoughtless mimes.
His own, his beautiful Juliette, with her proud face and majestic,
queen-like gestures; it was a relief not to see her there.
"Juliette Marny? _Inconnue,_" was the final word he heard about her.
No one told him that by Deputy Merlin's strictest orders she had been
labelled "dangerous," and placed in a remote wing of the Luxembourg
Palace, together with a few, who, like herself, were allowed to see no
one, communicate with no one.
Then when the _couvre-feu_ had sounded, when all public places were
closed, when the night watchman had begun his rounds, Déroulède knew
that his quest for that night must remain fruitless.
But he could not rest. In and out the tortuous streets of Paris he
roamed during the better part of that night. He was now only awaiting
the dawn to publicly demand the right to stand beside Juliette.
Public-domain text, read in full here on John Shaqi.
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