Iberia Won; A poem descriptive of the Peninsular War: With impressions from recent visits to the battle-grounds, and copious historical and illustrative notesHughes, T. M. (Terence McMahon)
History
Iberia Won; A poem descriptive of the Peninsular War: With impressions from recent visits to the battle-grounds, and copious historical and illustrative notes
Hughes, T. M. (Terence McMahon)
Peninsular War, 1807-1814 -- Poetry
“This man, whom an extraordinary degree of favour had raised up
to the supreme power in Spain, governed the state as an absolute
master for more than ten years; he had confirmed his power
by filling the government offices with his creatures. He had
become the dispenser of every favour and every boon, and was so
completely the medium of the king’s decisions, that the monarch
answered to every applicant: ‘Call upon Emanuel,’--the prince
being named Emanuel Godoy. This supreme authority had stirred up
against him a general detestation, which had counterbalanced the
favour he enjoyed, because he had of course committed many acts
of injustice in building up his power. The Prince of Asturias was
in the cabinet; he likewise had to complain of the favourite’s
haughtiness, the Prince of Peace not fearing to irritate him by
exhibiting the source of a despotic sway which laid its burden even
on the successor to the crown. The Prince of Asturias became his
enemy, and lost no opportunity of contriving his destruction, in
which object he was encouraged by the opinion of the people.
“On every side murmurs rose against the Prince of Peace; his
influence began to decline; and he was soon driven to his last and
lowest shifts to prop it up. _He had long since felt the necessity
of consolidating his power, and had striven by every art to acquire
the friendship of France._ His enemies availed themselves of
this circumstance to injure him, and charged him with treachery;
asserted that he wanted to sell Spain to France, and had reduced
her already to one of those vice-royalties obedient to the Emperor.
“On the other hand (so mutable and various is the public mind) they
attributed to France whatever evil afflicted Spain, and accused
her of supporting the Prince of Peace. This state of things every
day produced fresh bickerings between the partisans of the rival
princes; the counsels of the Prince Royal were not always prudent,
and he was induced by the aversion of the people towards his
powerful opponent to endeavour to quell the ambition of the Prince
of Peace by making him the victim of his immoderate thirst for
power. The favourite, foreseeing the coming catastrophe, and all
Spain in arms to crush and overthrow him, gave himself up for lost,
when the French troops advanced into the Spanish territory, to
execute the treaty of Fontainebleau, _of which he alone possessed
the secret, and which was not even signed_.”
The Basque glories, which I have recorded in the ballad of “The
Tartar Town,” are all strictly historical. The Basque dialect was
once spoken all over Spain, and is nearly identical with the Tartar
language. I use this supposed Tartar origin for poetical purposes.
Ever since the death of Ferdinand VII., the Basque _fueros_ have
been a constant bone of contention. Espartero abolished, but
Narvaez partially restored them. The only _fueros_ now retained are
an exemption from duty upon stamps, salt, and tobacco.
Public-domain text, read in full here on John Shaqi.
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