She took up her book again, and he resumed his writing, and for some
time there was silence. But Ideala's attention wandered. She began to
examine the room, which was, as usual, in a state of disorder. One side
of it was lined with cabinets of various sizes and periods. Labels
indicated the contents of some of them. Only one picture hung on that
side of the room--it was the portrait of a gentleman--but several
others stood on the ground against the cabinets. The walls were painted
some dark colour. A Japanese screen was drawn across the door, and
beside it was a hard narrow settee covered with dark green velvet.
Books were piled upon it, and heavily embroidered foreign stuffs, and
near it a number of Japanese drawings stood on a stand. The mantelpiece
was crowded with an odd mixture of china and other curios, all looking
as if they had just been unpacked. Above it another picture was hung, a
steel engraving. The writing-table by which they sat was nearly in the
middle of the room. In the window was another table, covered also with
a miscellaneous collection of curios; and on every other available
article of furniture books were piled. The high backs of the chairs
were elaborately carved, the seats being of the same green velvet as
the settee. A high wire-guard surrounded the fire place, and this
unusual precaution made one think, that the contents of the room must
be precious. The occupant of this apartment might have been an artist,
a man of letters, or a virtuoso--probably the latter; but whatever he
was, it was evident that his study was a workshop, and not a showroom.
From the room Ideala looked to her companion. He was writing rapidly,
and seemed absorbed in his subject. He was frowning slightly, his face
was pale and set, and he looked older by ten years than when he had
spoken last, and seemed cold and unimpassioned as a judge; but Ideala
thought again that the face was a fine one.
Presently he became conscious of her earnest gaze. He did not look up,
but every feature softened, and a warm glow spread from forehead to
chin; it was as if a deep shadow had been lifted, and a younger, but
less noble, man revealed.
"How you change!" Ideala exclaimed--"not from day to day, but from
moment to moment. You are like two men. I wish I could get behind that
horrid veil of flesh that hides you from me. I want to see your soul."
He smiled. "You are getting tired," he said. "Do let me persuade you to
come and have some lunch. When you begin to speculate, I know you have
done enough."
But Ideala could not go through the ordeal of who should pay for lunch
again. She preferred to starve. The _camaraderie_ between them was
mental enough to be manlike already, but only as long as there was no
question of material outlay.
"Mayn't I stay here and read?" she said. "I can have something by-and-
by, when I want it. Do go and leave me."
And he was obliged to go at last, wondering somewhat at her want of
appetite.
Public-domain text, read in full here on John Shaqi.
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