Idonia: A Romance of Old LondonWallis, Arthur Frederick
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Idonia: A Romance of Old London
Wallis, Arthur Frederick
Great Britain -- History -- Elizabeth, 1558-1603 -- Fiction; London (England) -- Fiction
Soon after I seemed to stumble, and perhaps did indeed sink down from
the timber I rested on; whereat, opening my eyes hastily, I saw face to
face with me, a maid with the countenance of an angel, and an infinite
compassion in her eyes. But the fever altogether had me then, so that
what I report I may not now verify; yet methought she took me by the
hands and raised me, saying (as to herself), "Dear heart, how chill he
is," and then, "Lo! the hurt he hath, poor lad! and it not stanched but
bleeding."
After that I must have swooned, for I remember no more; or at least not
such as I believe did happen, though from the cloud of wild dreams that
began to beset me there drew together as it were a masque of half-truth
in a scene not wholly fantastick. For I stood again in the midst of a
long and steep street, very dark and tempestuous, of which the houses
falling together suddenly with a great noise formed a sort of rift or
tunnel by which I might escape; and at the end of this length of ruin I
perceived a pale blue light burning, to the which painfully groping my
way I saw it was borne by a maid that came toward me; and all this
while I heard a mighty rushing as of water, and voices mingled with it,
loud and laughing. Then as the lass with the light approached me
nearer I knew her for Madam Malt's third (or fourth) daughter, and the
rushing sound I perceived to be the stream of small beer she had spilt;
and the laughter grew and increased horribly and the light went out.
And so, at length, I fell away into an inevitable and profound
forgetfulness.
CHAPTER IX
TELLS HOW I CHANGED MY LODGING AND LOST MY MARE
I mind me of a sad play once I saw, that is played now in a duke's
palace, and after in a glade within a forest, where one of the persons,
a noble youth whom his presumption hath caused to be banished from his
mistress, saith, "Hope is a lover's staff; walk hence with that." The
play is called a comedy because it ends upon delight, yet after a world
of heaviness encountered, and such thwarting of wills, as makes one
weep to behold. And perhaps when all's said, we do wrong to name
anything of this world tragical, seeing we cannot look to the end of
it, and indeed sometimes (one must suppose) a play is but half played
out here, and that the sad half with all the tears. 'Tis another hand
manages the curtain, and, alas! that the too soon dropping of it hath
made many to say in their hearts, "There is no God."
Public-domain text, read in full here on John Shaqi.
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