But the Strong Man goes on his way. He is married to a young and beautiful girl, whom he has adored silently for years. He has never told her; partly because he thought it would not be fair to her, partly because he knows it would spoil the play. He is too busy to see much of her, but sometimes they meet at dinner, and then he strokes her head and asks her kindly what she is doing that evening. Probably she is going out with George B. Pusher. What else could you expect? All the time when Staunton is buying Tomatoes and Salmon and Tintacks and Locomotives and Peanuts and lots of things that he doesn't really want, George B. Pusher is in attendance on the Heroine. There is a terrible scene when Staunton discovers what is going on. Who is this puppy? George B. Pusher? That settles it. He will ruin Pusher. He sells Tomatoes. Pusher hasn't got any. He buys Raspberry Jam. Pusher doesn't want any. Damn the fellow, he refuses to be ruined. Everybody is shooting himself except Pusher. At last. Wire Netting! Why didn't he think of Wire Netting before? He buys all the Wire Netting that there is. Then he sells it all. George R. Pusher is ruined. He comes round to beg for mercy. Now, perhaps, if we listen very carefully, we shall understand how it is all done. Secret Papers The cabinet, or whatever I am to call it, has looked stolidly at me from the corner of the library for years. It is nothing more than a row of pigeon-holes in which I keep my secret papers. At least, the man who sold it to me recommended it for this purpose, dwelling lovingly as he did so upon the strength of the lock. So I bought it--in those first days (how far away!) when I came to London to set the Thames on fire. It was not long before I lost the key. I made one or two half-hearted efforts to get into it with a button-hook; but, finding that the lock lived up to its reputation, I resigned myself to regarding it for the future as an article for ornament, not for use. In this capacity it has followed me about from house to house. As an ornament it is without beauty, and many people have urged me to throw it away. My answer has been that it contained my secret papers. Some day I would get a locksmith to open it, and we should see what we should see. The war being over, I came into the library and sat down at my desk. Perhaps it was not too late, even now, to set the Thames on fire. I would write an incendiary article on--what? The cabinet caught my eye. I went idly up to it and pulled at the drawers, before I remembered that it was locked. And suddenly I was annoyed with it for being locked; the more I pulled at it, the more I was annoyed; and I ended up by telling it with some heat that, if it persisted in its defiant attitude, I would shoot it down with my revolver. (This is how the hero breaks his way into the room wherein the heroine is immured, and I have often envied him.)