One of the earliest illuminated Italian MS. which bears a date is a Volume of Letters of St. Bernard, now in the Library of Laon. It is very seldom that the earlier scribes and illuminators who produced Italian MSS. or worked in Italy were Italians. They were usually foreigners and mostly Frenchmen, and the art was looked upon at the beginning of the fourteenth century as a French art. This very decided example of Italian work is already different from the French work of the same period. The profile foliages have already acquired that peculiar trick of sudden change and reversion of curve, showing the other side of a leaf with change of colour, which is a marked characteristic of all fourteenth-century Italian illumination. For examples of it, the Bolognese Law Books, Decretals, and such-like, afford frequent illustration. Before leaving this first-quoted MS., we may say that it points to France rather than to Germany or Lombardy for its general form of design, but the foliages are quite of another kind. Another Laon MS. (352) shows the same treatment of foliage, but in effect more like what may be considered as the typical Italian style seen in the famous Avignon Bible of the anti-pope, Clement VII. (Robert of Geneva), which dates between 1378 and 1394.[42] [42] See Humphreys, _Illum. Books of the Middle Ages_, pl. 16; and Silvestre, _Paléographie Universelle_, pl. 117. A further example still more powerful in expression and skilful in manipulation is seen in a copy of the Poems of Convenevole da Prato, in the British Museum (Roy. 6 E. 9), executed for King Robert of Naples, a patron of Giotto (1276-1337), which, in comparison with the Laon Letters of St. Bernard of about the same date, is even still more Italian. Cardinal Stefaneschi, another of Giotto's patrons, was also a promoter of illumination. His Missal, now at Rome in the archives of the Canons of St. Peter's, is a fine example of this style. It dates from 1327 to 1343. The MS. of Boethius at Laon is another. But one of the most masterly, whether as to design or manipulation, is a law book in the Library at Laon (No. 382). This grand folio contains "Glossa Ioannis Andreæ in Clementinas"--"The Gloss or Explanation of Joannes Andreas on the Clementines."